1821, in a German context, "a hangover," American English colloquial, from German Katzenjammer "hangover" (18c.), also figuratively, in colloquial use, "remorse of conscience, vow to mend one's ways," literally "wailing of cats, misery of cats," from katzen, combining form of katze "cat" (see cat (n.)) + jammer "distress, wailing" (see yammer (v.)).
Pleasure can intoxicate, passion can inebriate, success can make you quite as drunk as champagne. The waking from these several stages of delights will bring the same result--Katzenjammer. In English you would call it reaction; but whole pages of English cannot express the sick, empty, weary, vacant feeling which is so concisely contained within these four German syllables. ["Blackwood's Edinburgh Magazine," August 1884]
Katzenjammer Kids "spectacularly naughty children" is from the title of the popular newspaper comic strip (based on the German Max und Moritz stories) first drawn by German-born U.S. comic strip artist Rudolph Dirks (1877-1968) in 1897 for the "New York Journal." Hence, katzenjammer in the sense "any unpleasant reaction" (1897). The strip was temporarily de-Germanized during World War I:
"THE SHENANIGAN KIDS" is the new American name for the original "Katzenjammer Kids." Although the original name and idea were pure Holland Dutch, some people may have had the mistaken impression that they were of Germanic origin, and hence the change. It is the same splendid comic as in the past. [International Feature Service advertisement in "Editor & Publisher," July 6, 1918]
Old English ranc "proud, overbearing, haughty, showy," senses now obsolete, from Proto-Germanic *rankaz (source also of Danish rank "right, upright," German rank "slender," Old Norse rakkr "straight, erect"), which is of uncertain origin, possibly related to Old Norse and Old English rinc "man, warrior." Related: Rankly; rankness.
In reference to plant growth, "vigorous, luxuriant, abundant, copious" (also figurative) it is recorded from c. 1300. The sense also evolved in Middle English to "large and coarse" (c. 1300), then to "corrupt, loathsome, foul" (mid-14c.), perhaps via the notion of "excessive and unpleasant," perhaps also influenced in this by French rance "rancid." Specifically as "having an offensive, strong smell" by 1520s. In Middle English also "brave, stout-hearted; splendid, admirable." In 17c. it also could mean "lewd, lustful."
The development of the word in Eng. is, however, far from clear, as the OE. uses are not quite the primitive ones. In ME. also it chiefly occurs in alliterative verse, app. more for convenience than to express definite meanings. In the later language the chief difficulty is to decide which of the more original senses are represented in the transferred uses. [OED]
Much used 16c. as a pejorative intensive (as in rank folly). This is possibly the source of the verb meanings "to reveal another's guilt" (1929, underworld slang) and that of "to harass, insult, abuse," 1934, African-American vernacular, though this also may be so called from the role of the activity in establishing social hierarchy (and thus from rank (n.)).
1650s, powny, "a very small horse" (less than 13 hands in height), from Scottish, apparently from obsolete French poulenet "little foal" (mid-15c.), diminutive of Old French poulain "foal," from Late Latin pullanus "young of an animal," from Latin pullus "young of a horse, fowl, etc." (from PIE root *pau- (1) "few, little") [Skeat's suggestion, still accepted]. Compare, from the same source, foal, filly, Sanskrit potah "a young animal," Greek pōlos "foal," secondarily also of other young animals; Latin pullus "young animal," Lithuanian putytis "young animal, young bird."
A small horse, especially one of a small breed, as opposed to a colt or filly, words which indicate merely young horses. German, sensibly, indicates this animal by attaching a diminutive suffix to its word for "horse," which might yield Modern English *horslet. Modern French poney is a 19c. borrowing from English.
The Shetland breed of ponies are stoutly built, active and hardy, with very full mane and tail, and of gentle, docile disposition. In western parts of the United States all the small hardy horses (mustangs or broncos) used by the Indians are called ponies. [Century Dictionary, 1897]
Meaning "crib of a text as a cheating aid," especially a translation of a Greek or Latin author used unfairly in the preparation of lessons (1827) and "small liquor glass" (1849) both are from notion of "smallness" (the former also "something one rides," a translation being something that enables a student to "get along fast").
As the name of a popular dance, it dates from 1963. The U.S. Pony Express began 1860 (and operated about 18 months before being superseded by the transcontinental telegraph). The figurative one-trick pony is 1897, American English, in reference to circus acts.
1590s, "compatriot," from French patriote (15c.) and directly from Late Latin patriota "fellow-countryman" (6c.), from Greek patriotes "fellow countryman," from patrios "of one's fathers," patris "fatherland," from pater (genitive patros) "father" (see father (n.)); with -otes, suffix expressing state or condition. Liddell & Scott write that patriotes was "applied to barbarians who had only a common [patris], [politai] being used of Greeks who had a common [polis] (or free-state)."
Meaning "loyal and disinterested lover and defender of one's country and its interests" is attested from c. 1600, but it became an ironic term of ridicule or abuse from mid-18c. in England, so that Johnson, who at first defined it as "one whose ruling passion is the love of his country," in his fourth edition added, "It is sometimes used for a factious disturber of the government."
The name of patriot had become [c. 1744] a by-word of derision. Horace Walpole scarcely exaggerated when he said that ... the most popular declaration which a candidate could make on the hustings was that he had never been and never would be a patriot. [Macaulay, "Horace Walpole," 1833]
It was somewhat revived in reference to resistance movements in overrun countries in World War II, and it has usually had a positive sense in American English, where the phony and rascally variety has been consigned to the word patrioteer (1928).
Oriana Fallaci ["The Rage and the Pride," 2002] marvels that Americans, so fond of patriotic, patriot, and patriotism, lack the root noun and are content to express the idea of patria by cumbersome compounds such as homeland. (Joyce, Shaw, and H.G. Wells all used patria as an English word early 20c., but it failed to stick.) Patriots' Day (April 19, the anniversary of the 1775 skirmishes at Lexington and Concord Bridge) was observed as a legal holiday in Maine and Massachusetts from 1894.
c. 1500, "a literary work (originally in verse) intended to ridicule prevailing vice or folly by scornful or contemptuous expression," from French satire (14c.) and directly from Latin satira "satire; poetic medley," earlier satura, in lanx satura "mixed dish, dish filled with various kinds of fruit," literally "full dish," from fem. of satur "sated" (from PIE root *sa- "to satisfy").
The word acquired its literary sense, in Latin, in reference to a collection of poems in various meters on a variety of subjects by the late republican poet Ennius. The little that survives of his verse does not now seem particularly satiric, but in classical Latin the word was used especially of a poem which assailed various vices one after another.
In modern general use, "a denouncing or deriding speech or writing full of sarcasm, ridicule, irony, etc." (all of which can express satire). The broader meaning "fact or circumstance that makes someone or something look ridiculous" is by 1690s.
Satire, n. An obsolete kind of literary composition in which the vices and follies of the author's enemies were expounded with imperfect tenderness. In this country satire never had more than a sickly and uncertain existence, for the soul of it is wit, wherein we are dolefully deficient, the humor that we mistake for it, like all humor, being tolerant and sympathetic. Moreover, although Americans are 'endowed by their Creator' with abundant vice and folly, it is not generally known that these are reprehensible qualities, wherefore the satirist is popularly regarded as a sour-spirited knave, and his every victim's outcry for codefendants evokes a national assent. [Ambrose Bierce, "Devil's Dictionary," 1911]
Proper satire is distinguished, by the generality of the reflections, from a lampoon which is aimed against a particular person, but they are too frequently confounded. [Johnson]
[I]n whatever department of human expression, wherever there is objective truth there is satire [Wyndham Lewis, "Rude Assignment," 1950]
10th letter of the English alphabet, pronounced "jay," as in "kay" for -k-, but formerly written out as jy, rhyming with -i- and corresponding to French ji.
One of the most stable English letters (it has almost always the same sound), it is a latecomer to the alphabet and originally had no sound value. The letter itself began as a scribal modification of Roman -i- in continental Medieval Latin. The scribes added a "hook" to small -i-, especially in the final position in a word or roman numeral, to distinguish it from the strokes of other letters. The dot on the -i- (and thus the -j-) and the capitalization of the pronoun I are other solutions to the same problems.
In English, -j- was used as a roman numeral throughout Middle English, but the letter -y- was used to spell words ending an "i" sound, so -j- was not needed to represent a sound. Instead, it was introduced into English c. 1600-1640 to take up the consonantal sound that had evolved from the Roman i- since Late Latin times. In Italian, g- was used to represent this, but in other languages j- took the job. This usage is attested earliest in Spanish, where it was in place before 1600.
No word beginning with J is of Old English derivation. [OED]
English dictionaries did not distinguish words beginning in -i- and -j- until 19c., and -j- formerly was skipped when letters were used to express serial order.
In Latin texts printed in modern times, -j- often is used to represent Latin -i- before -a-, -e-, -o-, -u- in the same syllable, which in Latin was sounded as the consonant in Modern English you, yam, etc., but the custom has been controversial among Latinists:
The character J, j, which represents the letter sound in some school-books, is an invention of the seventeenth century, and is not found in MSS., nor in the best texts of the Latin authors. [Lewis]
In English words from Hebrew, -j- represents yodh, which was equivalent to English consonantal y (hence hallelujah) but many of the Hebrew names later were conformed in sound to the modern -j- (compare Jesus).
"of a bright, warm color resembling that of blood or of the highest part of the primery rainbow" [Century Dictionary], Middle English rēd, redde, read, reid, from Old English rēad, used of various shades of purple, crimson, scarlet, pink, etc.; also red clothes, dye, ink, wine, or paint, also "having a ruddy or reddish complexion; red-haired, red-bearded;" from Proto-Germanic *rauthan (source also of Old Norse rauðr, Danish rød, Old Saxon rod, Old Frisian rad, Middle Dutch root, Dutch rood, German rot, Gothic rauþs).
This is reconstructed to be from a PIE root *reudh- "red, ruddy," the only color for which a definite common PIE root word has been found. It also is the root of native ruddy, rust, and, via Latin, ruby, rubric, russet, etc.
Along with dead, bread (n.), lead (n.1), its long vowel shortened in or after Middle English. The surname Read, Reid, Reade, etc. represents the old form of the adjective and retains the original Old English long vowel pronunciation. It corresponds to Brown, Black, White; Red itself being rare as a surname. As the color designation of Native Americans in English from 1580s.
In fixed comparisons, red as blood (Old English), roses (mid-13c.), cherry (c. 1400). From Old English as the color characteristic of inflammation, blistering, etc. Of the complexion, lips, etc., "ruddy, rosy, red" (c. 1200); also of person with a healthy complexion or skin color; to be red in the face as a result of powerful emotion or agitation is by c. 1200; to see red "get angry" is an American English expression attested by 1898.
Red as the characteristic color of "British possessions" on a map is attested from 1885. Red-white-and-blue in reference to American patriotism, from the colors of the flag, is from 1840; in a British context, in reference to the Union flag, 1852.
Red rover, the children's game, attested from 1891. Red ball signifying "express" in railroad jargon is by 1904, originally (1899) a system of moving and tracking freight cars. Red dog, type of U.S. football pass rush, is recorded from 1959 (earlier "lowest grade of flour produced in a mill," by 1889). Red meat, that which is ordinarily served or preferred undercooked, is from 1808; the food of wild beasts, hence its figurative use for something that satisfies a basic appetite (by 1792; popular from late 20c.).
Red shift in spectography is first recorded 1923. Red carpet "sumptuous welcome" is from 1934, but the custom for dignitaries is described as far back as Aeschylus ("Agamemnon"); it also was the name of a type of English moth. Red ant is from 1660s.
English coin, Middle English peni, from Old English pening, penig, Northumbrian penning "penny," from Proto-Germanic *panninga- (source also of Old Norse penningr, Swedish pänning, Danish penge, Old Frisian panning, Old Saxon pending, Middle Dutch pennic, Dutch penning, Old High German pfenning, German Pfennig, not recorded in Gothic where skatts is used instead), a word of unknown origin.
Offa's reformed coinage on light, broad flans is likely to have begun c.760-5 in London, with an awareness of developments in Francia and East Anglia. ... The broad flan penny established by Offa remained the principal denomination, with only minor changes, until the fourteenth century. [Anna Gannon, "The Iconography of Early Anglo-Saxon Coinage," Oxford, 2003]
The English coin was originally set at one-twelfth of a shilling (or 240 to a Tower pound) and was of silver, later copper, then bronze. There are two plural forms: pennies of individual coins, pence collectively. In Middle English, any coin could be called a penny, and in translations it rendered various foreign coins of small denomination, especially Latin denarius, whence comes its abbreviation d.
As an American English colloquial for cent, it is recorded by 1889. In reference to nails, "a pound," denoting that 1,000 nails will weigh so much, OED says it probably is based originally on the price per 100 and persisted as prices fell.
Penny-a-liner "writer for a journal or newspaper" is attested by 1830, from their supposed rate of pay. Penny dreadful in reference to "cheap and gory fiction" dates from 1870. Phrase penny-wise and pound-foolish is recorded from c. 1600.
Penny-pincher "miserly person" is recorded from 1906 (Middle English had pinchpenny (n.) in that sense; as an adjective penny-pinching is recorded from 1858, American English). Penny loafers attested from 1960, perhaps from the fashion of slipping a penny into the slits of the bands across the facing.
"A regular penny-a-liner is a person who supplies the newspapers of the city with short articles of news, ingenious remarks upon the current topics of the day, reports of meetings, or of cases in the police offices, accidents, &c. &c., but who, observe, has no express engagement from, or any direct connexion with, any newspaper whatever. His success is wholly precarious—always uncertain. If the contributions which those persons forward for publication, in this way, are published, they are certain of payment for them at the rate of one penny, three half-pence, and in rare cases, two pence a-line, according to the importance of the subject matter supplied. ["The London Penny-a-Line System," Irish Monthly Magazine, January 1833]
1726, "morbid longing to return to one's home or native country, severe homesickness considered as a disease," Modern Latin, coined 1688 in a dissertation on the topic at the University of Basel by scholar Johannes Hofer (1669-1752) as a rendering of German heimweh "homesickness" (for which see home + woe).
From Greek algos "pain, grief, distress" (see -algia) + nostos "homecoming," from neomai "to reach some place, escape, return, get home," from PIE *nes- "to return safely home" (cognate with Old Norse nest "food for a journey," Sanskrit nasate "approaches, joins," German genesen "to recover," Gothic ganisan "to heal," Old English genesen "to recover"). French nostalgie is in French army medical manuals by 1754.
Originally in reference to the Swiss and said to be peculiar to them and often fatal, whether by its own action or in combination with wounds or disease.
[Dr. Scheuzer] had said that the air enclosed in the bodies of his countrymen, being in Æquilibrium with a rare and light air that surrounds them, was overloaded in lower countries with an air more dense and heavier, which compressing and obstructing the capillary vessels, makes the circulation slow and difficult, and occasions many sad symptoms. [Account of the publication of "Areographia Helvetiæ" in New Memoirs of Literature, London, March 1726]
By 1830s the word was used of any intense homesickness: that of sailors, convicts, African slaves. "The bagpipes produced the same effects sometimes in the Scotch regiments while serving abroad" [Penny Magazine," Nov. 14, 1840]. It is listed among the "endemic diseases" in the "Cyclopaedia of Practical Medicine" [London, 1833, edited by three M.D.s], which defines it as "The concourse of depressing symptoms which sometimes arise in persons who are absent from their native country, when they are seized with a longing desire of returning to their home and friends and the scenes their youth ...."
It was a military medical diagnosis principally, and was considered a serious medical problem by the North in the American Civil War:
In the first two years of the war, there were reported 2588 cases of nostalgia, and 13 deaths from this cause. These numbers scarcely express the real extent to which nostalgia influenced the sickness and mortality of the army. To the depressing influence of home-sickness must be attributed the fatal result in many cases which might otherwise have terminated favorably. ["Sanitary Memoirs of the War," U.S. Sanitary Commission, N.Y.: 1867]
Transferred sense (the main modern one) of "wistful yearning for the past" is recorded by 1920, perhaps from such use of nostalgie in French literature. The longing for a distant place also necessarily involves a separation in time.
1937, coined in the fantasy tales of J.R.R. Tolkien (1892-1973).
On a blank leaf I scrawled: 'In a hole in the ground there lived a hobbit.' I did not and do not know why. [Tolkien, letter to W.H. Auden, dated 1955]
The word also turns up in a very long list of folkloric supernatural creatures in the writings of Michael Aislabie Denham (d. 1859) as an aside to his explanation that those born on Christmas Eve cannot see spirits. Denham was an early folklorist who concentrated on Northumberland, Durham, Westmoreland, Cumberland, the Isle of Man, and Scotland. This was printed in volume 2 of "The Denham Tracts" [ed. James Hardy, London: Folklore Society, 1895], a compilation of Denham's scattered publications.
What a happiness this must have been seventy or eighty years ago and upwards, to those chosen few who had the good luck to be born on the eve of this festival of all festivals; when the whole earth was so overrun with ghosts, boggles, bloody-bones, spirits, demons, ignis fatui, brownies, bugbears, black dogs, specters, shellycoats, scarecrows, witches, wizards, barguests, Robin-Goodfellows, hags, night-bats, scrags, breaknecks, fantasms, hobgoblins, hobhoulards, boggy-boes, dobbies, hob-thrusts, fetches, kelpies, warlocks, mock-beggars, mum-pokers, Jemmy-burties, urchins, satyrs, pans, fauns, sirens, tritons, centaurs, calcars, nymphs, imps, incubuses, spoorns, men-in-the-oak, hell-wains, fire-drakes, kit-a-can-sticks, Tom-tumblers, melch-dicks, larrs, kitty-witches, hobby-lanthorns, Dick-a-Tuesdays, Elf-fires, Gyl-burnt-tales, knockers, elves, rawheads, Meg-with-the-wads, old-shocks, ouphs, pad-foots, pixies, pictrees, giants, dwarfs, Tom-pokers, tutgots, snapdragons, sprets, spunks, conjurers, thurses, spurns, tantarrabobs, swaithes, tints, tod-lowries, Jack-in-the-Wads, mormos, changelings, redcaps, yeth-hounds, colt-pixies, Tom-thumbs, black-bugs, boggarts, scar-bugs, shag-foals, hodge-pochers, hob-thrushes, bugs, bull-beggars, bygorns, bolls, caddies, bomen, brags, wraiths, waffs, flay-boggarts, fiends, gallytrots, imps, gytrashes, patches, hob-and-lanthorns, gringes, boguests, bonelesses, Peg-powlers, pucks, fays, kidnappers, gallybeggars, hudskins, nickers, madcaps, trolls, robinets, friars' lanthorns, silkies, cauld-lads, death-hearses, goblins, hob-headlesses, bugaboos, kows, or cowes, nickies, nacks necks, waiths, miffies, buckies, ghouls, sylphs, guests, swarths, freiths, freits, gy-carlins Gyre-carling, pigmies, chittifaces, nixies, Jinny-burnt-tails, dudmen, hell-hounds, dopple-gangers, boggleboes, bogies, redmen, portunes, grants, hobbits, hobgoblins, brown-men, cowies, dunnies, wirrikows, alholdes, mannikins, follets, korreds, lubberkins, cluricauns, kobolds, leprechauns, kors, mares, korreds, puckles korigans, sylvans, succubuses, blackmen, shadows, banshees, lian-hanshees, clabbernappers, Gabriel-hounds, mawkins, doubles, corpse lights or candles, scrats, mahounds, trows, gnomes, sprites, fates, fiends, sibyls, nicknevins, whitewomen, fairies, thrummy-caps, cutties, and nisses, and apparitions of every shape, make, form, fashion, kind and description, that there was not a village in England that had not its own peculiar ghost. Nay, every lone tenement, castle, or mansion-house, which could boast of any antiquity had its bogle, its specter, or its knocker. The churches, churchyards, and crossroads were all haunted. Every green lane had its boulder-stone on which an apparition kept watch at night. Every common had its circle of fairies belonging to it. And there was scarcely a shepherd to be met with who had not seen a spirit!
[Emphasis added] It is curious that the name occurs nowhere else in folklore, and there is no evidence that Tolkien ever saw this. The word also was recorded from 1835 as "a term generally used in Wales to express a quantity made up of four Welsh pecks" [in English court records for Hughes vs. Humphreys, a weights-and-measures case]. Hobbitry attested from 1947.