An Old English masc. noun meaning "male witch, wizard, soothsayer, sorcerer, astrologer, magician;" see witch. Use of the word in modern contexts traces to English folklorist Gerald Gardner (1884-1964), who is said to have joined circa 1939 an occult group in New Forest, Hampshire, England, for which he claimed an unbroken tradition to medieval times. Gardner seems to have first used it in print in 1954, in his book "Witchcraft Today" ("Witches were the Wica or wise people, with herbal
knowledge and a working occult teaching usually used for good ...."). In published and unpublished material, he apparently only ever used the word as a mass noun referring to adherents of the practice and not as the name of the practice itself. Some of his followers continue to use it in this sense. According to Gardner's book "The Meaning of Witchcraft" (1959), the word, as used in the initiation ceremony, played a key role in his experience:
I realised that I had stumbled upon something interesting; but I was half-initiated before the word, 'Wica' which they used hit me like a thunderbolt, and I knew where I was, and that the Old Religion still existed. And so I found myself in the Circle, and there took the usual oath of secrecy, which bound me not to reveal certain things.
In the late 1960s the term came into use as the title of a modern pagan movement associated with witchcraft. The first printed reference in this usage seems to be 1969, in "The Truth About Witchcraft" by freelance author Hans Holzer:
If the practice of the Old Religion, which is also called Wicca (Craft of the Wise), and thence, witchcraft, is a reputable and useful cult, then it is worthy of public interest.
And, quoting witch Alex Sanders:
"No, a witch wedding still needs a civil ceremony to make it legal. Wicca itself as a religion is not registered yet. But it is about time somebody registered it, I think. I've done all I can to call attention to our religion."
Sanders was a highly visible representative of neo-pagan Witchcraft in the late 1960s and early 1970s. During this time he appears to have popularized use of the term in this sense. Later books c. 1989 teaching modernized witchcraft using the same term account for its rise and popularity, especially in U.S.
Old English dweorh, dweorg (West Saxon), duerg (Mercian), "very short human being, person much below ordinary stature, whether of proportionate parts or not," also "supernatural being of subhuman size," from Proto-Germanic *dweraz (source also of Old Frisian dwerch, Old Saxon dwerg, Old High German twerg, German Zwerg, Old Norse dvergr), perhaps from PIE *dhwergwhos "something tiny," but with no established cognates outside Germanic.
Also used by c. 1200 of an animal or plant much below the ordinary size of its species." The use of dwarf in the Germanic mythological sense, "a diminished and generally deformed being, dwelling in rocks and hills and skilled in working metals," seems to have faded after Middle English and been revived after c. 1770 from German.
Whilst in this and other ways the dwarfs do at times have dealings with mankind, yet on the whole they seem to shrink from man; they give the impression of a downtrodden afflicted race, which is on the point of abandoning its ancient home to new and more powerful invaders. There is stamped on their character something shy and something heathenish, which estranges them from intercourse with christians. They chafe at human faithlessness, which no doubt would primarily mean the apostacy from heathenism. In the poems of the Mid. Ages, Laurin is expressly set before us as a heathen. It goes sorely against the dwarfs to see churches built, bell-ringing ... disturbs their ancient privacy; they also hate the clearing of forests, agriculture, new fangled pounding-machinery for ore. ["Teutonic Mythology," Jakob Grimm, transl. Stallybrass, 1883]
The shift of the Old English guttural at the end of the word to modern -f is typical (compare enough, draft) and begins to appear early 14c. In Middle English it also was dwerþ, dwerke. Old English plural dweorgas became Middle English dwarrows, later leveled down to dwarfs. The use of dwarves for the legendary race was popularized by J.R.R. Tolkien. As an adjective, from 1590s.
The use of giant and dwarf in reference to stars of the highest and lowest luminosity is attested by 1914, said to have been suggested by Danish astronomer Ejnar Hertzsprung, (1873-1967); hence red dwarf (attested by 1922), white dwarf, black dwarf "dead and lightless star" (1966).
"terminal part of the leg of a vertebrate animal," Old English fot "foot," from Proto-Germanic *fōts (source also of Old Frisian fot, Old Saxon fot, Old Norse fotr, Danish fod, Swedish fot, Dutch voet, Old High German fuoz, German Fuß, Gothic fotus "foot"), from PIE root *ped- "foot." Plural form feet is an instance of i-mutation.
The linear measure was in Old English (the exact length has varied over time), this being considered the length of a man's foot; a unit of measure used widely and anciently. In this sense the plural is often foot. The current inch and foot are implied from measurements in 12c. English churches (Flinders Petrie, "Inductive Metrology"), but the most usual length of a "foot" in medieval England was the foot of 13.2 inches common throughout the ancient Mediterranean. The Anglo-Saxon foot apparently was between the two. All three correspond to units used by the Romans, and possibly all three lengths were picked up by the Anglo-Saxons from the Romano-Britons. "That the Saxon units should descend to mediæval times is most probable, as the Normans were a ruling, and not a working, class." [Flinders Petrie, 1877]. The medieval Paul's Foot (late 14c.) was a measuring standard cut into the base of a column at the old St. Paul's cathedral in London. The metrical foot (late Old English, translating Latin pes, Greek pous in the same sense) is commonly taken to represent one rise and one fall of a foot: keeping time according to some, dancing according to others.
In Middle English also "a person" (c. 1200), hence non-foot "nobody." Meaning "bottom or lowest part of anything eminent or upright" is from c. 1200. Of a bed, grave, etc., from c. 1300. On foot "by walking" is from c. 1300. To get off on the wrong foot is from 1905 (the right foot is by 1907); to put one's best foot foremost first recorded 1849 (Shakespeare has the better foot before, 1596); Middle English had evil-foot (adv.) "through mischance, unluckily." To put one's foot in (one's) mouth "say something stupid" is attested by 1942; the expression put (one's) foot in something "make a mess of it" is from 1823. To have one foot in the grave "be near death" is from 1844. Colloquial exclamation my foot! expressing "contemptuous contradiction" [OED] is attested by 1923, probably euphemistic for my ass in the same sense, which dates to 1796 (also see eyewash).
eleventh Roman letter, from Greek kappa, from Phoenician kaph or a similar Semitic source, said to mean literally "hollow of the hand" and to be so called for its shape.
Little used in classical Latin, which at an early age conformed most of its words (the exceptions had ritual importance) to a spelling using -c- (a character derived from Greek gamma). In Late Latin, pronunciation of -c- shifted (in the direction of "s"). Greek names brought into Latin also were regularized with a -c- spelling, and then underwent the Late Latin sound-shift; hence the modern pronunciation of Cyrus, Circe. To keep their pronunciation clear, the many Greek words (often Church words) that entered Latin after this shift tended to take Latin -k- for Greek kappa.
K- thus became a supplementary letter to -c- in Medieval Latin, used with Greek and foreign words. But most of the languages descended from Latin had little need of it, having evolved other solutions to the sound shifts.
K- also was scarce in Old English. After the Norman conquest, new scribal habits restricted -c- and expanded the use of -k-, which began to be common in English spelling from 13c. This probably was done because the sound value of -c- was evolving in French and the other letter was available to clearly mark the "k" sound for scribes working in English. For more, see C.
In words transliterated from Arabic, Hebrew, Turkish, Japanese, Hawaiian, etc., it represents several different sounds lumped. In modern use some of them are now with kh-; in older borrowings they often followed traditional English spelling and were written with a C- (Corea, Caaba, etc.).
As a symbol for potassium, it represents Latin kalium "potash." In CMYK as a color system for commercial printing it means "black" but seems to stand for key in a specialized printing sense. Slang meaning "one thousand dollars" is 1970s, from kilo-. K as a measure of capacity (especially in computer memory) meaning "one thousand" also is an abbreviation of kilo-.
As an indication of "strikeout" in baseball score-keeping it dates from 1874 and is said to represent the last letter of struck. The invention of the scorecard symbols is attributed to English-born U.S. newspaperman Henry Chadwick (1824-1908) principally of the old New York "Clipper," who had been writing baseball since 1858, and who explained it thus:
Smith was the first striker, and went out on three strikes, which is recorded by the figure "1" for the first out, and the letter K to indicate how put out, K being the last letter of the word "struck." The letter K is used in this instance as being easier to remember in connection with the word struck than S, the first letter, would be. [Henry Chadwick, "Chadwick's Base Ball Manual," London, 1874]
parting salutation, 1860, of unknown origin, perhaps from a German idiom (compare German parting salutation adieu so lange, the full sense of which probably is something like "farewell, whilst (we're apart)"); or perhaps from Hebrew shalom (via Yiddish sholom). Some have noted a similarity to Scandinavian leave-taking phrases, such as Norwegian Adjø så lenge, Farvel så lenge, Mor'n så lenge, literally "bye so long, farewell so long, morning so long;" and Swedish Hej så länge "good-bye for now," with så länge "for now" attested since 1850 according to Swedish sources. Most etymology sources seem to lean toward the German origin. So long (adv.) "for such a long time" is from late Old English.
Earlier guesses that it was a sailors' corruption of a South Pacific form of Arabic salaam are not now regarded as convincing. "Dictionary of American Slang" also adds to the list of candidates Irish slán "safe," said to be used as a salutation in parting. The phrase seems to have turned up simultaneously in America, Britain, and perhaps Canada, originally among lower classes. First attested use is in title and text of the last poem in Whitman's "Leaves of Grass" in the 1860 edition.
An unknown sphere, more real than I dream'd, more direct, darts awakening rays about me — So long!
Remember my words — I may again return,
I love you — I depart from materials;
I am as one disembodied, triumphant, dead.
Whitman's friend and fan William Sloane Kennedy wrote in 1923:
The salutation of parting — 'So long!' — was, I believe, until recent years, unintelligible to the majority of persons in America, especially in the interior, and to members of the middle and professional classes. I had never heard of it until I read it in Leaves of Grass, but since then have quite often heard it used by the laboring class and other classes in New England cities. Walt wrote to me, defining 'so long' thus: "A salutation of departure, greatly used among sailors, sports, & prostitutes — the sense of it is 'Till we meet again,' — conveying an inference that somehow they will doubtless so meet, sooner or later." ... It is evidently about equivalent to our 'See you later.' The phrase is reported as used by farm laborers near Banff, Scotland. In Canada it is frequently heard; 'and its use is not entirely confined to the vulgar.' It is in common use among the working classes of Liverpool and among sailors at Newcastle-upon-Tyne, and in Dorsetshire. ... The London Globe suggests that the expression is derived from the Norwegian 'Saa laenge,' a common form of 'farewell,' au revoir. If so, the phrase was picked up from the Norwegians in America, where 'So long' first was heard. The expression is now (1923) often used by the literary and artistic classes.
Old English, "move swiftly by using the legs, go on legs more rapidly than walking," also "make haste, hurry; be active, pursue or follow a course," and, of inanimate things, "to move over a course."
The modern verb is a merger of two related Old English words, in both of which the initial two letters sometimes switched places. The first is intransitive rinnan, irnan "to run, flow, run together" (past tense ran, past participle runnen), which is cognate with Middle Dutch runnen, Old Saxon, Old High German, Gothic rinnan, German rinnen "to flow, run."
The second is Old English transitive weak verb ærnan, earnan "ride, run to, reach, gain by running" (probably a metathesis of *rennan), from Proto-Germanic *rannjanan, causative of the root *ren- "to run." This is cognate with Old Saxon renian, Old High German rennen, German rennen, Gothic rannjan.
Watkins says both are from PIE *ri-ne-a-, nasalized form of root *rei- "to run, flow," but Boutkan's sources find this derivation doubtful based on the poor attestation of supposed related forms, and he lists it as of "No certain IE etymology."
Of streams, etc., "to flow," from late Old English. From c. 1200 as "take flight, retreat hurriedly or secretly." Phrase run for it "take flight" is attested from 1640s.
Also from c. 1200 as "compete in a race." Extended to "strive for any ends," especially "enter a contest for office or honors, stand as a candidate in an election" (1826, American English).
Of any sort of hurried travel, c. 1300. From early 13c. as "have a certain direction or course." By c. 1300 as "keep going, extend through a period of time, remain in existence." Specifically of theater plays by 1808. Of conveyances, stage lines, etc., "perform a regular passage from place to place" by 1817.
Of machinery or mechanical devices, "go through normal or allotted movements or operation," 1560s. Of colors, "to spread in a fabric when exposed to moisture," 1771. Of movie film, "pass between spools," hence "be shown," by 1931.
The meaning "carry on" (a business, etc.) is by 1861, American English; hence extended senses of "look after, manage." As "publish or print in a newspaper or magazine," by 1884.
Many senses are via the notion of "pass into or out of a certain state." To run dry "cease to yield water or milk" (1630s). In commerce, "be of a specified price, size, etc.," by 1762. To run low "be nearly exhausted" is by 1712; to run short "exhaust one's supply" is from 1752; to run out of in the same sense is from 1713. To run on "keep on, continue without pause or change" is from 1590s.
The transitive sense of "cause to run" was in Old English. By late 15c. as "to pierce, stab," hence 1520s as "thrust through or into something." The meaning "enter (a horse) in a race" is from 1750. The sense of "cause a mechanical device to keep moving or working" is by 1817.
Many figurative uses are from horseracing or hunting (such as to run (something) into the ground "carry to excess, exhaust by constant pursuit," 1836, American English).
To run across "meet by chance, fall in with" is attested from 1855, American English. To run into in this sense is by 1902. To run around with "consort with" is from 1887.
In reference to fevers by 1918. To run a (red) traffic signal is by 1933. Of tests, experiments, etc., by 1947. Of computers by 1952. Time has been running out since c. 1300. To run in the family is by 1771. The figurative expression run interference (1929) is from U.S. football. To run late is from 1954.