Tiphon "violent storm, whirlwind, tornado," 1550s, from Greek typhon "whirlwind," personified as a giant, father of the winds, probably [Beekes] from or related to typhein "to smoke" (see typhus), but according to Watkins from PIE *dheub- "deep, hollow," via notion of "monster from the depths." The meaning "cyclone, violent hurricane of India or the China Seas" is first recorded 1588 in Thomas Hickock's translation of an account in Italian of a voyage to the East Indies by Caesar Frederick, a merchant of Venice:
concerning which Touffon ye are to vnderstand, that in the East Indies often times, there are not stormes as in other countreys; but euery 10. or 12. yeeres there are such tempests and stormes, that it is a thing incredible, but to those that haue seene it, neither do they know certainly what yeere they wil come. ["The voyage and trauell of M. Caesar Fredericke, Marchant of Venice, into the East India, and beyond the Indies"]
This sense of the word, in reference to titanic storms in the East Indies, first appears in Europe in Portuguese in the mid-16th century. It apparently is from tufan, a word in Arabic, Persian, and Hindi meaning "big cyclonic storm." Yule ["Hobson-Jobson," London, 1903] writes that "the probability is that Vasco [da Gama] and his followers got the tufao ... direct from the Arab pilots."
The Arabic word sometimes is said to be from Greek typhon, but other sources consider it purely Semitic, though the Greek word might have influenced the form of the word in English. Al-tufan occurs several times in the Koran for "a flood or storm" and also for Noah's Flood. Chinese (Cantonese) tai fung "a great wind" also might have influenced the form or sense of the word in English, and that term and the Indian one may have had some mutual influence; toofan still means "big storm" in India.
From the thighs downward he was nothing but coiled serpents, and his arms which, when he spread them out, reached a hundred leagues in either direction, had countless serpents' heads instead of hands. His brutish ass-head touched the stars, his vast wings darkened the sun, fire flashed from his eyes, and flaming rocks hurtled from his mouth. [Robert Graves, "Typhon," in "The Greek Myths"]
eighth letter of the alphabet; it comes from Phoenician, via Greek and Latin. In Phoenician it originally had a rough guttural sound like German Reich or Scottish loch. In Greek at first it had the value of Modern English -h-, and with this value it passed into the Latin alphabet via Greek colonies in Italy. Subsequently in Greek it came to be used for a long "e" sound; the "h" sound being indicated by a fragment of the letter, which later was reduced to the aspiration mark.
In Germanic it was used for the voiceless breath sound when at the beginning of words, and in the middle or at the end of words for the rough guttural sound, which later came to be written -gh.
The sound became totally silent in Vulgar Latin and in the languages that emerged from it; thus the letter was omitted in Old French and Italian, but it was restored pedantically in French and Middle English spelling, and often later in English pronunciation. Thus Modern English has words ultimately from Latin with missing -h- (able, from Latin habile); with a silent -h- (heir, hour); with a formerly silent -h- now often vocalized (humble, humor, herb); and even a few with an unetymological -h- fitted in confusion to words that never had one (hostage, hermit). Relics of the formerly unvoiced -h- persist in pedantic insistence on an historical (object) and in obsolete mine host.
The pronunciation "aitch" was in Old French (ache "name of the letter H"), and is from a presumed Late Latin *accha (compare Italian effe, elle, emme), with the central sound approximating the rough, guttural value of the letter in Germanic. In earlier Latin the letter was called ha. The use in digraphs (as in -sh-, -th-) goes back to the ancient Greek alphabet, which used it in -ph-, -th-, -kh- until -H- took on the value of a long "e" and the digraphs acquired their own characters. The letter passed into Roman use before this evolution, and thus retained there more of its original Semitic value.
c. 1600, as a term in classical history, from Latin Arianus, Ariana, from Greek Aria, Areia, names applied in classical times to the eastern part of ancient Persia and to its inhabitants. Ancient Persians used the name in reference to themselves (Old Persian ariya-), hence Iran. Ultimately from Sanskrit arya- "compatriot;" in later language "noble, of good family."
Also the name Sanskrit-speaking invaders of India gave themselves in the ancient texts. Thus it was the word early 19c. European philologists (Friedrich Schlegel, 1819, who linked it with German Ehre "honor") applied to the ancient people we now call Indo-Europeans, suspecting that this is what they called themselves. This use is attested in English from 1851. In German from 1845 it was specifically contrasted to Semitic (Lassen).
German philologist Max Müller (1823-1900) popularized Aryan in his writings on comparative linguistics, recommending it as the name (replacing Indo-European, Indo-Germanic, Caucasian, Japhetic) for the group of related, inflected languages connected with these peoples, mostly found in Europe but also including Sanskrit and Persian. The spelling Arian was used in this sense from 1839 (and is more philologically correct), but it caused confusion with Arian, the term in ecclesiastical history.
The terms for God, for house, for father, mother, son, daughter, for dog and cow, for heart and tears, for axe and tree, identical in all the Indo-European idioms, are like the watchwords of soldiers. We challenge the seeming stranger; and whether he answer with the lips of a Greek, a German, or an Indian, we recognize him as one of ourselves. [Müller, "History of Ancient Sanskrit Literature," 1859]
Aryan was gradually replaced in comparative linguistics c. 1900 by Indo-European, except when used to distinguish Indo-European languages of India from non-Indo-European ones. From the 1920s Aryan began to be used in Nazi ideology to mean "member of a Caucasian Gentile race of Nordic type." As an ethnic designation, however, it is properly limited to Indo-Iranians (most justly to the latter) and has fallen from general academic use since the Nazis adopted it.
eleventh Roman letter, from Greek kappa, from Phoenician kaph or a similar Semitic source, said to mean literally "hollow of the hand" and to be so called for its shape.
Little used in classical Latin, which at an early age conformed most of its words (the exceptions had ritual importance) to a spelling using -c- (a character derived from Greek gamma). In Late Latin, pronunciation of -c- shifted (in the direction of "s"). Greek names brought into Latin also were regularized with a -c- spelling, and then underwent the Late Latin sound-shift; hence the modern pronunciation of Cyrus, Circe. To keep their pronunciation clear, the many Greek words (often Church words) that entered Latin after this shift tended to take Latin -k- for Greek kappa.
K- thus became a supplementary letter to -c- in Medieval Latin, used with Greek and foreign words. But most of the languages descended from Latin had little need of it, having evolved other solutions to the sound shifts.
K- also was scarce in Old English. After the Norman conquest, new scribal habits restricted -c- and expanded the use of -k-, which began to be common in English spelling from 13c. This probably was done because the sound value of -c- was evolving in French and the other letter was available to clearly mark the "k" sound for scribes working in English. For more, see C.
In words transliterated from Arabic, Hebrew, Turkish, Japanese, Hawaiian, etc., it represents several different sounds lumped. In modern use some of them are now with kh-; in older borrowings they often followed traditional English spelling and were written with a C- (Corea, Caaba, etc.).
As a symbol for potassium, it represents Latin kalium "potash." In CMYK as a color system for commercial printing it means "black" but seems to stand for key in a specialized printing sense. Slang meaning "one thousand dollars" is 1970s, from kilo-. K as a measure of capacity (especially in computer memory) meaning "one thousand" also is an abbreviation of kilo-.
As an indication of "strikeout" in baseball score-keeping it dates from 1874 and is said to represent the last letter of struck. The invention of the scorecard symbols is attributed to English-born U.S. newspaperman Henry Chadwick (1824-1908) principally of the old New York "Clipper," who had been writing baseball since 1858, and who explained it thus:
Smith was the first striker, and went out on three strikes, which is recorded by the figure "1" for the first out, and the letter K to indicate how put out, K being the last letter of the word "struck." The letter K is used in this instance as being easier to remember in connection with the word struck than S, the first letter, would be. [Henry Chadwick, "Chadwick's Base Ball Manual," London, 1874]