Old English læppa (plural læppan) "skirt or flap of a garment," from Proto-Germanic *lapp- (source also of Old Frisian lappa, Old Saxon lappo, Middle Dutch lappe, Dutch lap, Old High German lappa, German Lappen "rag, shred," Old Norse leppr "patch, rag"), of uncertain origin.

Sense of "lower front part of a shirt or skirt" led to that of "upper legs of seated person" (c. 1300). Used figuratively ("bosom, breast, place where someone or something is held and cherished") from late 14c., as in lap of luxury (which is first recorded 1802). To drop or dump something in someone's lap "shift a burden" is from 1962. From 15c.-17c. the word (often in plural) was a euphemism for "female pudendum," but this is not the source of lap dance, which is first recorded 1993.

To lap dance, you undress, sit your client down, order him to stay still and fully clothed, then hover over him, making a motion that you have perfected by watching Mister Softee ice cream dispensers. [Anthony Lane, review of "Showgirls," New Yorker, Oct. 16, 1995]

Lap-clap was old slang for "an act of coition" (c. 1600), in warning expressions to youth often paired with lip-clip "a kiss." Also compare slang Lapland "the society of women."

Old English cald (Anglian), ceald (West Saxon) "producing strongly the sensation which results when the temperature of the skin is lowered," also "having a low temperature," from Proto-Germanic *kaldjon (source also of Old Frisian and Old Saxon kald, Old High German and German kalt, Old Norse kaldr, Gothic kalds "cold"), from PIE root *gel- "cold; to freeze" (source also of Latin gelare "to freeze," gelu "frost," glacies "ice").

Sense of "unmoved by strong feeling" was in late Old English. Meaning "having a relatively low temperature, not heated" is from mid-13c. Sense of "dead" is from mid-14c. Meaning "not strong, affecting the senses only slightly" (in reference to scent or trails in hunting or tracking) is from 1590s; hence the extended sense in seeking-games, "distant from the object of search" (1864).

Cold front in weather is from 1921. Cold sweat is by 1630s. Cold-call (v.) in the sales pitch sense is recorded by 1964 (implied in cold-calling; the noun cold call is by 1953; cold-selling is from 1947). Cold comfort (by 1650s) is "little comfort, something which offers little cheer." Cold-cream "cooling unguent for the skin" is from 1709. To throw cold water on in the figurative sense "discourage by unexpected reluctance or indifference" is from 1808.

Japanese has two words for "cold:" samui for coldness in the atmosphere or environment; tsumetai for things which are cold to touch, and also in the figurative sense, with reference to personalities, behaviors, etc.

in the sports sense, 1879, originally in cricket, "taking three wickets on three consecutive deliveries;" extended to other sports c. 1909, especially ice hockey ("In an earlier contest we had handed Army a 6-2 defeat at West Point as Billy Sloane performed hockey's spectacular 'hat trick' by scoring three goals" ["Princeton Alumni Weekly," Feb. 10, 1941]). So called allegedly because it entitled the bowler to receive a hat from his club commemorating the feat (or entitled him to pass the hat for a cash collection), but the term probably has been influenced by the image of a conjurer pulling objects from his hat (an act attested by 1876). The term was used earlier for a different sort of magic trick:

Place a glass of liquor on the table, put a hat over it, and say, "I will engage to drink every drop of that liquor, and yet I'll not touch the hat." You then get under the table; and after giving three knocks, you make a noise with your mouth, as if you were swallowing the liquor. Then, getting from under the table, say "Now, gentlemen, be pleased to look." Some one, eager to see if you have drunk the liquor, will raise the hat; when you instantly take the glass and swallow the contents, saying, "Gentlemen I have fulfilled my promise: you are all witnesses that I did not touch the hat." ["Wit and Wisdom," London, 1860]

c. 1300, "twice as much or as large," also "repeated, occurring twice," also "of extra weight, thickness, size, or strength; of two layers," from Old French doble (10c.) "double, two-fold; two-faced, deceitful," from Latin duplus "twofold, twice as much," from duo "two" (from PIE root *dwo- "two") + -plus "more" (see -plus).

From early 14c. as "having a twofold character or relation," also "consisting of two in a set together; being a pair, coupled." From mid-14c. as "characterized by duplicity." The earliest recorded use in English is c. 1200, in double-feast "important Church festival."

Double-chinned is from late 14c.; double-jointed, of persons, is by 1828. Military double time (1833) originally was 130 steps per minute; double quick (adj.) "very quick, hurried" (1822) originally was military, "performed at double time."

The photographic double exposure is by 1872. The cinematic double feature is by 1916. Double figures "numbers that must be represented numerically by two figures" is by 1833. Double-vision is by 1714. Double indemnity in insurance is by 1832; double jeopardy is by 1817. The baseball double play is by 1866.

Double trouble "twice the trouble" is by 1520s; in 19c. America it was the name of a characteristic step of a rustic dance or breakdown, derived from slave dancing on plantations. A double-dip (n.) originally was an ice-cream cone made with two scoops (1936); the figurative sense is by 1940. Double bed "bed made to sleep two persons" is by 1779. Double life "a sustaining of two different characters in life" (typically one virtuous or respectable, the other not) is by 1888.

Middle English sinne, from Old English synn, syn "violation of divine law, offense against God; moral wrongdoing," also "injury, mischief; enmity, feud; guilt, crime, misdeed," from Proto-Germanic *sundiō "sin" (source also of Old Saxon sundia, Old Frisian sende, Middle Dutch sonde, Dutch zonde, German Sünde "sin, transgression, trespass, offense," extended forms).

The notion is probably ultimately "it is true," i.e. "the sin is real" (compare Gothic sonjis, Old Norse sannr "true"), from PIE *snt-ya-, a collective form from *es-ont- "becoming," present participle of the root *es- "to be."

The semantic development would be via the notion of "to be truly the one (who is guilty)," as in Old Norse phrase verð sannr at "be found guilty of," and the use of the phrase "it is being" in Hittite confessional formula. The same process probably yielded the Latin word sons (genitive sontis) "guilty, criminal" from present participle of sum, esse "to be, that which is." Some etymologists believe the Germanic word was an early borrowing directly from the Latin genitive. Also see sooth.

The details of the purely theological definition are much contested. Sin-eater is attested from 1680s, "one who, for pay, takes on the sins of a deceased person," typically by eating certain food in the presence of the corpse. To live in sin "cohabit without marriage" is from 1838; the phrase was used since Middle English in a more general sense (to sin with has been "commit fornication or adultery with" since c. 1200). Ice hockey slang sin bin "penalty box" is attested from 1950.

Middle English sliden, "glide, move smoothly and easily over a surface," also "to fall, lose one's balance through slipping," from Old English slidan (intransitive, past tense slad, past participle sliden) "to glide, slip, fall, fall down;" figuratively "fail, lapse morally, err; be transitory or unstable," from Proto-Germanic *slidanan "to slip, slide" (source also of Old High German slito, German Schlitten "sleigh, sled"), from PIE root *sleidh- forming words for "to slide, slip; slippery" (source also of Lithuanian slysti "to glide, slide," Old Church Slavonic sledu "track," Greek olisthos "slipperiness," olisthanein "to slip," Middle Irish sloet "slide").

The meaning "lose one's balance through slipping, lose one's footing" is attested from early 13c. (for distinction from slip, see below). The transitive sense of "cause to glide or move along a surface" is from 1530s. The meaning "pass gradually from one state or condition to another" is from late 14c. Related: Slid; slidden; sliding.

The phrase let (something) slide "let it take its own course, take no consideration of" is in Chaucer (late 14c.) and Shakespeare. Sliding scale in reference to payments, etc., varying under certain conditions is from 1842.

We slide or slip on a smooth surface : we slide by intention ; we slip in spite of ourselves. In the Bible slide is used for slip. Slide generally refers to a longer movement : as, to slide down hill ; to slip on the ice. We glide by a smooth and easy motion, as in a boat over or through the water. [Century Dictionary]

c. 1300, pouer, "ability; ability to act or do; strength, vigor, might," especially in battle; "efficacy; control, mastery, lordship, dominion, ability or right to command or control; legal power or authority; authorization; military force, an army," from Anglo-French pouair, Old French povoir, noun use of the infinitive, "to be able," earlier podir (9c.), from Vulgar Latin *potere (source also of Spanish poder, Italian potere), from Latin potis "powerful" (from PIE root *poti- "powerful; lord").

Whatever some hypocritical ministers of government may say about it, power is the greatest of all pleasures. It seems to me that only love can beat it, and love is a happy illness that can't be picked up as easily as a Ministry. [Stendhal "de l'Amour," 1822]

Meaning "one who has power, person in authority or exercising great influence in a community" is late 14c. Meaning "a specific ability or capacity" is from early 15c. In mechanics, "that with which work can be done," by 1727.

Sense of "property of an inanimate thing or agency of modifying other things" is by 1590s. Meaning "a state or nation with regard to international authority or influence" [OED] is from 1726. Meaning "energy available for work is from 1727. Sense of "electrical supply" is from 1896.

Colloquial a power of for "a large quantity of, a great number of" is from 1660s (compare powerful). Phrase the powers that be "the authorities concerned" is from Romans xiii.1. As a statement wishing good luck, more power to(someone) is recorded from 1842. A man-advantage power play in ice hockey so called by 1940. Power failure "failure of the (electrical) power supply" is from 1911; power steering in a motor vehicle is from 1921. Power politics "political action based on or backed by threats of force" (1937) translates German Macht-politik.

third letter of the Latin alphabet. Alphabetic writing came to Rome via the southern Etruscan "Caeretan" script, in which gamma was written as a crescent. Early Romans made little use of Greek kappa and used gamma for both the "g" and "k" sounds, the latter more frequently, so that the "k" sound came to be seen as the proper one for gamma. Classical Latin -c-, with only the value "k," passed to Celtic and, via missionary Irish monks, to the Anglo-Saxons. Also see cee.

In some Old English words, before some vowels and in certain positions, -c- had a "ts" sound that was respelled ch- in Middle English by French scribes (chest, cheese, church; see ch). In Old English -k- was known but little used.

Meanwhile, in Old French, many "k" sounds drifted to "ts" and by 13c., "s," but still were written -c-. Thus the 1066 invasion brought to the English language a flood of French and Latin words in which -c- represented "s" (as in cease, ceiling, circle) and a more vigorous use of -k- to distinguish that sound. By 15c. even native English words with -s- were being respelled with -c- for "s" (ice, mice, lice).

In some English words from Italian, the -c- has a "ch" sound (via a sound evolution somewhat like the Old French one). In German, -c- in loanwords was regularized to -k- or -z- (depending on pronunciation) in the international spelling reform of 1901, which was based on the Duden guide of 1880.

As a symbol in the Roman numeral system, "one hundred;" the symbol originally was a Greek theta, but was later reduced in form and understood to stand for centum. In music, it is the name of the keynote of the natural scale, though the exact pitch varied in time and place 18c. and 19c. from 240 vibrations per second to 275; it wasn't entirely regularized (at 261.63) until the adoption of the A440 standard in the 1930s. C-spring as a type of carriage spring is from 1794, so called for its shape.

Old English brecan "to divide solid matter violently into parts or fragments; to injure, violate (a promise, etc.), destroy, curtail; to break into, rush into; to burst forth, spring out; to subdue, tame" (class IV strong verb; past tense bræc, past participle brocen), from Proto-Germanic *brekanan (source also of Old Frisian breka, Dutch breken, Old High German brehhan, German brechen, Gothic brikan), from PIE root *bhreg- "to break."

Closely related to breach (n.), brake (n.1), brick (n.). The old past tense brake is obsolete or archaic; the past participle is broken, but shortened form broke is attested from 14c. and was "exceedingly common" [OED] 17c.-18c.

Of bones in Old English. Formerly also of cloth, paper, etc. The meaning "escape by breaking an enclosure" is from late 14c. The intransitive sense of "be or become separated into fragments or parts under action of some force" is from late 12c. The meaning "lessen, impair" is from late 15c. That of "make a first and partial disclosure" is from early 13c. The sense of "destroy continuity or completeness" in any way is from 1741. Of coins or bills, "to convert to smaller units of currency," by 1882.

In reference to the heart from early 13c. (intransitive); to break (someone's) heart is late 14c. Break bread "share food" (with) is from late 14c. To break ground is from 1670s as "to dig, plow," from 1709 in the figurative sense of "begin to execute a plan." To break the ice "overcome the feeling of restraint in a new acquaintanceship" is from c. 1600, in reference to the "coldness" of encounters of strangers. Break wind is attested from 1550s. To break (something) out (1890s) probably is an image from dock work, of freeing cargo before unloading it.

The ironic theatrical good luck formula break a leg (by 1948, said to be from at least 1920s) has parallels in German Hals- und Beinbruch "break your neck and leg," and Italian in bocca al lupo. Evidence of a highly superstitious craft (see Macbeth). According to Farmer & Henley, in 17c. the expression was used euphemistically, of a woman, "to have a bastard."

mid-14c., "something laid, placed or spread (on something else),"  from cover (v.). Sense of "something which veils or screens from sight" is from c. 1400. From c. 1500 as "shelter" of any kind, later especially in hunting, "shrubbery, brush, or thickets which conceal game" (1719).

Meaning "binding or wrapper of a book" is from 1590s; that of "envelope or wrapper for a letter" is by 1748. Meaning "recording of a song already recorded by another" is by 1970, short for cover version (1966). Cover-band "band that plays only cover songs" is by 1981. Cover girl is U.S. slang from 1915, shortening of magazine-cover girl (1899).

Cover-charge is attested by 1913. The immediate sense of cover in it appears to be the old one of "plate, knives, forks, spoons, napkin, wine glasses, etc., used at the table by one person," from French couvert, literally "a cover," in the same sense; supposedly they were so called because they were originally brought together in a case.

According to contemporary publications, cover came to include table condiments and bread and butter, and c. 1910 some restaurants began to charge extra for these. ["... a smart New York restauranteur recently made a 'cover charge' of twenty-five cents for bread and butter and ice-water. Others followed." - Edward Hungerford, "The Personality of American Cities," 1913]

In this sense, cover also probably involves the banquet service use of cover for a charge which includes ("covers") everything provided with the food — menu card, flowers, music, etc.

In recent years hotels, particularly those featuring entertainment in their restaurants, have made a so-called cover charge which includes entertainment in addition to the table service. For instance, at some of the larger hotels in New York, where there is dancing, or cabaret, or high-priced soloists, or entertainment of costly nature provided, there is a cover charge, sometimes as high as $1 the seat. [Hotel Monthly, December 1917]