late 13c., "restorative powers of the body, bodily processes; powers of growth;" from Old French nature "nature, being, principle of life; character, essence," from Latin natura "course of things; natural character, constitution, quality; the universe," literally "birth," from natus "born," past participle of nasci "to be born," from PIE root *gene- "give birth, beget."
By mid-14c. as "the forces or processes of the material world; that which produces living things and maintains order." From late 14c. as "creation, the universe;" also "heredity, birth, hereditary circumstance; essential qualities, inherent constitution, innate disposition" (as in human nature); also "nature personified, Mother Nature." Nature and nurture have been paired and contrasted since Shakespeare's "Tempest."
The phrase "nature and nurture" is a convenient jingle of words, for it separates under two distinct heads the innumerable elements of which personality is composed. Nature is all that a man brings with himself into the world; nurture is every influence from without that affects him after his birth. [Francis Galton, "English Men of Science: Their Nature and Nurture," 1875]
Specifically as "the material world beyond human civilization or society; an original, wild, undomesticated condition" from 1660s, especially in state of nature "the condition of man before organized society." Nature-worship "religion which deifies the phenomena of physical nature" is by 1840.
Nature should be avoided in such vague expressions as 'a lover of nature,' 'poems about nature.' Unless more specific statements follow, the reader cannot tell whether the poems have to do with natural scenery, rural life, the sunset, the untouched wilderness, or the habits of squirrels. [Strunk & White, "The Elements of Style," 3rd ed., 1979]
Man, her last work, who seem'd so fair,
Such splendid purpose in his eyes,
Who roll'd the psalm to wintry skies,
Who built him fanes of fruitless prayer,
Who trusted God was love indeed
And love Creation's final law—
Tho' Nature, red in tooth and claw
With ravine, shriek'd against his creed—
[Tennyson, from "In Memoriam"]
c. 1300, "counting," especially "reckoning of money received and paid, detailed statement of funds owed or spent or property held," from Old French acont "(financial) account, reckoning, terminal payment," from a "to" (see ad-) + cont "counting, reckoning of money to be paid," from Late Latin computus "a calculation," from Latin computare "to count, sum up, reckon together," from com "with, together" (see com-) + putare "to reckon," originally "to prune," from PIE root *pau- (2) "to cut, strike, stamp."
From the first often in plural form; sometimes in late Middle English accompt (see account (v.)). Meaning "course of business dealings requiring records" is from 1640s; hence "arrangement to keep money in a business, bank, etc." (1833), also "customer or client having an account" (1937). Money of account (1690s), that used in reckoning but not circulating as coin or paper, preserves the "counting" sense of the word.
From the notion of "rendering an account" comes the sense "statement answering for conduct" (mid-14c.) and the general sense "narration, recital of facts," attested by 1610s. Phrase by all accounts is attested from 1798. From the notion of "statement of reasons" comes on no account "under no circumstances" (1704). Also from c. 1300 in reference to answering for one's conduct, especially at the Last Judgment. Meaning "estimation, consideration," especially in the eyes of others, is from late 14c.
On account in the financial sense "as an item to be accounted for at the final settlement" is from 1610s, hence on account of in the general sense "for the sake of, in regard to, in consideration of" (1640s, originally upon account of). Also on (my, your, etc.) account "on (one's) behalf." To give accounts "prepare or present a statement of funds and property" is from mid-15c; the older term was cast accounts (mid-14c.); to take account of originally was to make an inventory; take into account "take account of" is from 1680s.
The spellings accompt, accomptable, etc. are artificial forms used, not prevailingly, in the sixteenth and seventeenth centuries. They are now obsolete, or nearly so, though accompt and accomptant may still be used in the formal or legal style. The pronunciation has always conformed to the regular spelling, account, accountable, etc. [Century Dictionary]
10th letter of the English alphabet, pronounced "jay," as in "kay" for -k-, but formerly written out as jy, rhyming with -i- and corresponding to French ji.
One of the most stable English letters (it has almost always the same sound), it is a latecomer to the alphabet and originally had no sound value. The letter itself began as a scribal modification of Roman -i- in continental Medieval Latin. The scribes added a "hook" to small -i-, especially in the final position in a word or roman numeral, to distinguish it from the strokes of other letters. The dot on the -i- (and thus the -j-) and the capitalization of the pronoun I are other solutions to the same problems.
In English, -j- was used as a roman numeral throughout Middle English, but the letter -y- was used to spell words ending an "i" sound, so -j- was not needed to represent a sound. Instead, it was introduced into English c. 1600-1640 to take up the consonantal sound that had evolved from the Roman i- since Late Latin times. In Italian, g- was used to represent this, but in other languages j- took the job. This usage is attested earliest in Spanish, where it was in place before 1600.
No word beginning with J is of Old English derivation. [OED]
English dictionaries did not distinguish words beginning in -i- and -j- until 19c., and -j- formerly was skipped when letters were used to express serial order.
In Latin texts printed in modern times, -j- often is used to represent Latin -i- before -a-, -e-, -o-, -u- in the same syllable, which in Latin was sounded as the consonant in Modern English you, yam, etc., but the custom has been controversial among Latinists:
The character J, j, which represents the letter sound in some school-books, is an invention of the seventeenth century, and is not found in MSS., nor in the best texts of the Latin authors. [Lewis]
In English words from Hebrew, -j- represents yodh, which was equivalent to English consonantal y (hence hallelujah) but many of the Hebrew names later were conformed in sound to the modern -j- (compare Jesus).
c. 1300, gyrle "child, young person" (of either sex but most frequently of females), of unknown origin. One guess [OED] leans toward an unrecorded Old English *gyrele, from Proto-Germanic *gurwilon-, diminutive of *gurwjoz (apparently also represented by Low German gære "boy, girl," Norwegian dialectal gorre, Swedish dialectal gurre "small child," though the exact relationship, if any, between all these is obscure), from PIE *ghwrgh-, also found in Greek parthenos "virgin." But this involves some objectionable philology. Liberman (2008) writes:
Girl does not go back to any Old English or Old Germanic form. It is part of a large group of Germanic words whose root begins with a g or k and ends in r. The final consonant in girl is a diminutive suffix. The g-r words denote young animals, children, and all kinds of creatures considered immature, worthless, or past their prime.
Another candidate is Old English gierela "garment" (for possible sense evolution in this theory, compare brat). A former folk-etymology derivation from Latin garrulus "chattering, talkative" is now discarded. Like boy, lass, lad it is of more or less obscure origin. "Probably most of them arose as jocular transferred uses of words that had originally different meaning" [OED]. Specific meaning of "female child" is late 14c. Applied to "any young unmarried woman" since mid-15c. Meaning "sweetheart" is from 1640s. Old girl in reference to a woman of any age is recorded from 1826. Girl next door as a type of unflashy attractiveness is recorded by 1953 (the title of a 20th Century Fox film starring June Haver).
Doris [Day] was a big vocalist even before she hit the movies in 1948. There, as the latest movie colony "girl next door," sunny-faced Doris soon became a leading movie attraction as well as the world's top female recording star. "She's the girl next door, all right," said one Hollywood admirer. "Next door to the bank." [Life magazine, Dec. 22, 1958]
Girl Friday "resourceful young woman assistant" is from 1940, a reference to "Robinson Crusoe." Girl Scout is from 1909. For the usual Old English word, see maiden.