1907 (from 1903 as a French word in English), "malicious damaging or destruction of an employer's property by workmen," from French sabotage, from saboter "to sabotage, bungle," literally "walk noisily," from sabot "wooden shoe" (see sabaton).
In English, "malicious mischief" would appear to be the nearest explicit definition of "sabotage," which is so much more expressive as to be likely of adoption into all languages spoken by nations suffering from this new force in industry and morals. Sabotage has a flavor which is unmistakable even to persons knowing little slang and no French .... [Century Magazine, November 1910]
In French, and at first in English, the sense of "deliberately and maliciously destroying property" was in reference to labor disputes, but the oft-repeated story (as old as the record of the word in English) that the modern meaning derives from strikers' supposed tactic of throwing shoes into machinery is not supported by the etymology. Likely it was not meant as a literal image; the word was used in French in a variety of "bungling" senses, such as "to play a piece of music badly."
This, too, was the explanation given in some early usages:
SABOTAGE [chapter heading] The title we have prefixed seems to mean "scamping work." It is a device which, we are told, has been adopted by certain French workpeople as a substitute for striking. The workman, in other words, purposes to remain on and to do his work badly, so as to annoy his employer's customers and cause loss to his employer. [The Liberty Review, January 1907]
You may believe that sabotage is murder, and so forth, but it is not so at all. Sabotage means giving back to the bosses what they give to us. Sabotage consists in going slow with the process of production when the bosses go slow with the same process in regard to wages. [Arturo M. Giovannitti, quoted in report of the Sagamore Sociological Conference, June 1907]
The military extension to damage inflicted (especially clandestinely) to disrupt an enemy is from World War I.
"metal vessel used for boiling or heating liquids over a flame," Old English cetil, citel (Mercian), from Proto-Germanic *katilaz (compare Old Saxon ketel, Old Frisian zetel, Middle Dutch ketel, Old High German kezzil, German Kessel), which usually is said to be derived from Latin catillus "deep pan or dish for cooking," a diminutive of catinus "deep vessel, bowl, dish, pot," from Proto-Italic *katino-.
This word has been connected with Greek forms such as [kotylē] "bowl, dish." Yet the Greek word is no perfect formal match, and words for types of vessels are very often loanwords. It seems best to assume this for catinus too. [de Vaan]
One of the few Latin loan-words in Proto-Germanic, along with *punda- "measure of weight or money" (see pound (n.1)) and a word relating to "merchant" that yielded cheap (adj.). "[I]t is striking that all have something to do with trade" [Don Ringe, "From Proto-Indo-European to Proto-Germanic," Oxford 2006]. Perhaps the Latin word was confused with a native Germanic one.
Spelling with a -k- (c. 1300) probably is from influence of Old Norse cognate ketill. The smaller sense of "tea-kettle" is attested by 1769.
Kettle of fish "complicated and bungled affair" (1715), sometimes is said to be from a Scottish custom of a kettle full of fish cooked al fresco at a boating party or picnic, but this custom is not attested by that phrase until 1790. Perhaps it is rather a variant of kittle/kiddle "weir or fence with nets set in rivers or along seacoasts for catching fish" (c. 1200, in the Magna Charta as Anglo-Latin kidellus), from Old French quidel, probably from Breton kidel "a net at the mouth of a stream."
Kettle was used in geology for "deep circular hollow in a river bed or other eroded area, pothole" (1866), hence kettle moraine (1883), one characterized by such features.
c. 1300, "determined, fixed," from Old French certain "reliable, sure, assured" (12c.), from Vulgar Latin *certanus, extended form of Latin certus "determined, resolved, fixed, settled," of things whose qualities are invariable, "established," also "placed beyond doubt, sure, true, proved; unerring, to be depended upon" (also source of Old French cert, Italian certo, Spanish cierto), originally a variant past participle of cernere "to distinguish, decide," literally "to sift, separate." This Latin verb comes from the PIE root *krei- "to sieve," thus "discriminate, distinguish," which is also the source of Greek krisis "turning point, judgment, result of a trial" (compare crisis).
Transferred sense, in reference to persons, "full of confidence in one's knowledge or judgment, made certain in reference to a matter or thing," from mid-14c. (also a sense in Latin). Meaning "established as true beyond doubt" in English is from c. 1400. Meaning "indefinite, not specifically named, known but not described" is from late 14c.
Different as this seems to be from sense I, it is hardly separable from it in a large number of examples: thus, in [a certain hour], the hour was quite 'certain' or 'fixed', but it is not communicated to the reader; to him it remains, so far as his knowledge is concerned, quite indefinite; it may have been, as far as he knows, at any hour; though, as a fact, it was at a particular hour. [OED]
Lewis & Short write that Latin certus also was sometimes indefinite, "of things, the certainty of whose existence is given, but whose nature is not more definitely designated, or comes not into consideration ...."
Hence the euphemistic use, attested from mid-18c., as in woman of a certain age "an old maid;" woman of a certain description "disreputable woman;" in a certain condition "pregnant;" a certain disease "venereal disease;" of a certain weight "obese." Used with proper names from 1785, "often conveying a slight shade of disdain" [OED]. Certainer, certainest were common to c. 1750, but have fallen from proper use for some reason. Expression for certain "assuredly" is attested by early 14c.
a late Old English contraction of cyning "king, ruler" (also used as a title), from Proto-Germanic *kuningaz (source also of Dutch koning, Old Norse konungr, Danish konge, Old Saxon and Old High German kuning, Middle High German künic, German König).
This is of uncertain origin. It is possibly related to Old English cynn "family, race" (see kin), making a king originally a "leader of the people." Or perhaps it is from a related prehistoric Germanic word meaning "noble birth," making a king etymologically "one who descended from noble birth" (or "the descendant of a divine race"). The sociological and ideological implications render this a topic of much debate. "The exact notional relation of king with kin is undetermined, but the etymological relation is hardly to be doubted" [Century Dictionary].
General Germanic, but not attested in Gothic, where þiudans (cognate with Old English þeoden "chief of a tribe, ruler, prince, king") was used. Finnish kuningas "king," Old Church Slavonic kunegu "prince" (Russian knyaz, Bohemian knez), Lithuanian kunigas "clergyman" are forms of this word taken from Germanic. Meaning "one who has superiority in a certain field or class" is from late 14c.
As leon is the king of bestes. [John Gower, "Confessio Amantis," 1390]
In Old English, used for chiefs of Anglian and Saxon tribes or clans, of the heads of states they founded, and of the British and Danish chiefs they fought. The word acquired a more imposing quality with the rise of European nation-states, but then it was applied to tribal chiefs in Africa, Asia, North America. The chess piece is so called from c. 1400; the playing card from 1560s; the use in checkers/draughts is first recorded 1820. Three Kings for the Biblical Wise Men is from c. 1200.
[I]t was [Eugene] Field who haunted the declining years of Creston Clarke with his review of that actor's Lear. ... Said he, "Mr. Clarke played the King all the evening as though under constant fear that someone else was about to play the Ace." ["Theatre Magazine," January 1922]
Old English wucu, wice, etc., from Proto-Germanic *wikō(n)- (source also of Old Norse vika, Old Frisian wike, Middle Dutch weke, Old High German wecha, German woche), probably originally with the sense of "a turning" or "succession" (compare Gothic wikon "in the course of," Old Norse vika "sea-mile," originally "change of oar," Old English wican "yield, give way"), from PIE root *weik- (2) "to bend, to wind." The vowel sound seems to have been uncertain in Old and Middle English and -e-, -i-, -o-, -u-, -y-, and various diphthongs are attested for it.
"Meaning primarily 'change, alteration,' the word may once have denoted some earlier time division, such as the 'change of moon, half month,' ... but there is no positive evidence of this" [Buck]. No evidence of a native Germanic week before contact with the Romans. The seven-day week is ancient, probably originating from the 28-day lunar cycle, divisible into four periods of seven day, at the end of each of which the moon enters a new phase. Reinforced during the spread of Christianity by the ancient Jewish seven-day week.
As a Roman astrological convention it was borrowed by other European peoples; the Germanic tribes substituting their own deities for those of the Romans, without regard to planets. The Coligny calendar suggests a Celtic division of the month into halves; the regular Greek division of the month was into three decades; and the Romans also had a market week of nine days. Phrase a week, as in eight days a week recorded by 1540s; see a- (1).
Greek planetary names [for the days of the week] ... are attested for the early centuries of our era, but their use was apparently restricted to certain circles; at any rate they never became popular. In Rome, on the other hand, the planetary names became the established popular terms, too strongly intrenched to be displaced by the eccl[esiastical] names, and spreading through most of western Europe. [Carl Darling Buck, "A Dictionary of Selected Synonyms in the Principal Indo-European Languages," 1949]
"feathered, warm-blooded vertebrate animal of the class Aves," Old English bird, rare collateral form of bridd, originally "young bird, nestling" (the usual Old English for "bird" being fugol, for which see fowl (n.)), which is of uncertain origin with no cognates in any other Germanic language. The suggestion that it is related by umlaut to brood and breed is rejected by OED as "quite inadmissible." Metathesis of -r- and -i- was complete 15c. (compare wright).
Despite its early attestation, bridd is not necessarily the oldest form of bird. It is usually assumed that -ir- from -ri- arose by metathesis, but here, too, the Middle English form may go back to an ancient period. [Liberman]
Still up to c. 1400 it was often used in the specific sense "the young of a bird, fledgling, nestling, chick," and of the young of other animals (bees, fish, snakes) and human children. Compare the usual Balto-Slavic words for "bird" (Lithuanian paukštis, Old Church Slavonic pŭtica, Polish ptak, Russian ptica, etc.), said to be ultimately from the same root as Latin pullus "young of an animal."
The proper designation of the feathered creation is in E. fowl, which in course of time was specially applied to the gallinaceous tribe as the most important kind of bird for domestic use, and it was perhaps this appropriation of the word which led to the adoption of the name of the young animal as the general designation of the race. [Hensleigh Wedgwood, "A Dictionary of English Etymology," 1859]
Figurative sense of "secret source of information" is from 1540s. Meaning "man, fellow, person" is from 1799. Bird-watching attested from 1897. Bird's-eye view "the view as seen from above, as if by a bird in flight," is from 1762. For the birds recorded from 1944, supposedly in allusion to birds eating from droppings of horses and cattle. The bird-spider (1800) of the American tropics is a large sort of tarantula that can capture and kill small birds.
A byrde yn honde ys better than three yn the wode. [c. 1530]
The form with bush is attested by 1630s.
c. 1500, "a literary work (originally in verse) intended to ridicule prevailing vice or folly by scornful or contemptuous expression," from French satire (14c.) and directly from Latin satira "satire; poetic medley," earlier satura, in lanx satura "mixed dish, dish filled with various kinds of fruit," literally "full dish," from fem. of satur "sated" (from PIE root *sa- "to satisfy").
The word acquired its literary sense, in Latin, in reference to a collection of poems in various meters on a variety of subjects by the late republican poet Ennius. The little that survives of his verse does not now seem particularly satiric, but in classical Latin the word was used especially of a poem which assailed various vices one after another.
In modern general use, "a denouncing or deriding speech or writing full of sarcasm, ridicule, irony, etc." (all of which can express satire). The broader meaning "fact or circumstance that makes someone or something look ridiculous" is by 1690s.
Satire, n. An obsolete kind of literary composition in which the vices and follies of the author's enemies were expounded with imperfect tenderness. In this country satire never had more than a sickly and uncertain existence, for the soul of it is wit, wherein we are dolefully deficient, the humor that we mistake for it, like all humor, being tolerant and sympathetic. Moreover, although Americans are 'endowed by their Creator' with abundant vice and folly, it is not generally known that these are reprehensible qualities, wherefore the satirist is popularly regarded as a sour-spirited knave, and his every victim's outcry for codefendants evokes a national assent. [Ambrose Bierce, "Devil's Dictionary," 1911]
Proper satire is distinguished, by the generality of the reflections, from a lampoon which is aimed against a particular person, but they are too frequently confounded. [Johnson]
[I]n whatever department of human expression, wherever there is objective truth there is satire [Wyndham Lewis, "Rude Assignment," 1950]
1776, from French charade (18c.), probably from Provençal charrado "long talk, chatter," which is of obscure origin, perhaps from charrar "to chatter, gossip," of echoic origin. Compare Italian ciarlare, Spanish charlar "to talk, prattle." The thing itself was originally a verse word-play based on enigmatic descriptions of the words or syllables according to particular rules.
As we have ever made it a Rule to shew our Attention to the Reader, by 'catching the Manners living, as they rise,' as Mr. Pope expresses it, we think ourselves obliged to give Place to the following Specimens of a new Kind of SMALL WIT, which, for some Weeks past, has been the Subject of Conversation in almost every Society, from the Court to the Cottage. The CHARADE is, in fact, a near Relation of the old Rebus. It is usually formed from a Word of two Syllables; the first Syllable is described by the Writer; then the second; they are afterwards united and the whole Word marked out .... [supplement to The Universal Magazine of Knowledge and Pleasure, volumes 58-59, 1776]
Among the examples given are:
My first makes all nature appear of one face;
At the next we find music, and beauty and grace;
And, if this Charade is most easily read,
I think that the third shou'd be thrown at my head.
[The answer is "snow-ball."]
The silent charade, the main modern form of the game, was at first a variant known as dumb charades that adhered to the old pattern, and the performing team acted out all the parts in order before the audience team began to guess.
There is one species of charade which is performed solely by "dumb motions," somewhat resembling the child's game of "trades and professions"; but the acting charade is a much more amusing, and more difficult matter. ["Goldoni, and Modern Italian Comedy," in The Foreign And Colonial Quarterly Review, vol. vi, 1846]
An 1850 book, "Acting Charades," reports that Charades en Action were all the rage in French society, and that "Lately, the game has been introduced into the drawing-rooms of a few mirth-loving Englishmen. Its success has been tremendous." Welsh siarad obviously is a loan-word from French or English, but its meaning of "speak, a talk" is closer to the Provençal original.
1833, "one who embodies the person or character of another;" 1840 as "one who infuses (something) with a personality;" 1842 as "dramatic actor, one who plays a part on stage," from impersonate with Latinate agent noun suffix. Meaning "one who imitates the manners and speech of another" for entertainment (by 1921) perhaps grew from older theatrical use of female impersonator (1876), male impersonator (1874), both once popular stage acts; the first example of the latter was perhaps Miss Ella Wesner, who had a vogue c. 1870: In Britain, blackface performers were called negro impersonators (1906). As a fem. formation, impersonatrix, as if from Latin, is from 1847; impersonatress, as if from French, is from 1881.
Her [Wesner's] impersonation were a genuine surprise and her success was so pronounced that in a short period a host of imitators made their appearance. Her most successful rivals were Bessie Bonehill, Millie Hilton and Vesta Tilley, all of London. [M.B Leavitt, "Fifty Years in Theatrical Management," New York, 1912]
There is no member of a minstrel company who gets a better salary than a good female impersonator, the line being considered a very delicate one, requiring a high style of art in its way to judge where fun stops and bad taste begins, with decision enough on the part of the performer to stop at the stopping place. ["The Ancestry of Brudder Bones," Harper's New Monthly Magazine, April 1879]
The most fascinating performer I knew in those days was a dame named Metcalfe who was a female female impersonator. To maintain the illusion and keep her job, she had to be a male impersonator when she wasn't on. Onstage she wore a wig, which she would remove at the finish, revealing her mannish haircut. "Fooled you!" she would boom at the audience in her husky baritone. Then she would stride off to her dressing room and change back into men's clothes. She fooled every audience she played to, and most of the managers she worked for, but her secret was hard to keep from the rest of the company. [Harpo Marx, "Harpo Speaks"]
"brief examination by a teacher of a student or class on some subject," originally oral, 1852, colloquial, of uncertain origin.
Perhaps from quiz (v.), which might be from Latin. Or from slang quiz "odd person, person or thing deemed ridiculous" (1782, itself perhaps originally university slang), via the notion of "schoolboy prank or joke at the expense of a person deemed a quiz," a noun sense attested frequently 1840s, but quiz (n.) in the sense of "puzzling question, one designed to make one ridiculous" seems to not be attested before 1807. More than one etymological thread might be involved here. The word itself seems to have confused literary English from the beginning.
A Quiz, in the common acceptation of the word, signifies one who thinks, speaks, or acts differently from the rest of the world in general. But, as manners and opinions are as various as mankind, it will be difficult to say who shall be termed a Quiz, and who shall not: each person indiscriminately applying the name of Quiz to every one who differs from himself .... [The London Magazine, November 1783]
The word Quiz is a sort of a kind of a word
That people apply to some being absurd;
One who seems, as t'were oddly your fancy to strike
In a sort of a fashion you somehow don't like
A mixture of odd, and of queer, and all that
Which one hates, just, you know, as some folks hate a cat;
A comical, whimsical, strange, droll — that is,
You know what I mean; 'tis — in short, — 'tis a quiz!
[from "Etymology of Quiz," Charles Dibdin, 1842]
According to OED, the anecdote that credits this word to a bet by the Dublin theater-manager Daly or Daley that he could coin a word is regarded by authorities as "doubtful" and the first record of it appears to be in 1836 (in Smart's "Walker Remodelled"; the story is omitted in the edition of 1840). The medical school quiz class is attested from 1853. "The object of the Quiz will be to take the students over the ground of the different lectures in a thorough review, by a system of close questioning, so as to make them familiar with the subject-matter of the lectures to a degree not to be obtained in any other way" [Missouri Clinical Record, 1875].