long (adj.)

Old English lang "having a great linear extent, that extends considerably from end to end; tall; lasting," from Proto-Germanic *langa- (source also of Old Frisian and Old Saxon lang, Old High German and German lang, Old Norse langr, Middle Dutch lanc, Dutch lang, Gothic laggs "long").

The Germanic words perhaps are from PIE *dlonghos- (source also of Latin longus "long, extended; further; of long duration; distant, remote," Old Persian darga-, Persian dirang, Sanskrit dirghah "long"), from root *del- (1) "long" (source also of Greek dolikhos "long," endelekhes "perpetual"). Latin longus (source of prolong, elongate, longitude, etc.) thus is probably cognate with, but not the source of, the Germanic words. The word illustrates the Old English tendency for short "a" to become short "o" before -n- (also retained in bond/band and West Midlands dialectal lond from land and hond from hand).

Also in Old English in reference to time, "drawn out in duration," with overtones of "serious." The old sense of "tall" now appears to be dialectal only, or obsolete. For long "during a long time" is from c. 1300. To be long on something, "have a lot" of it, is from 1900, American English slang. A long vowel (c. 1000) originally was pronounced for an extended time. Mathematical long division is from 1808. Sporting long ball is from 1744, originally in cricket. Long jump as a sporting event is attested from 1864. A long face, one drawn downward in expression of sadness or solemnity, is from 1786. Long in the tooth (1841 of persons) is from horses showing age by recession of gums (but not in this sense until 1870). Long knives, name Native Americans gave to white settlers (originally in Virginia/Kentucky) is from 1774, perhaps a reference to their swords. Long time no see, supposedly imitative of American Indian speech, is first recorded 1919 as Chinese English.

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vampire (n.)

spectral being in a human body who maintains semblance of life by leaving the grave at night to suck the warm blood of the living as they sleep, 1732, vampyre, from French vampire (18c.) or German Vampir (1732, like the English word first in an account of Hungarian vampires), from Hungarian vampir, from Old Church Slavonic opiri (source also of Serbian vampir, Bulgarian vapir, Ukrainian uper), said by Slavic linguist Franc Miklošič to be ultimtely from Kazan Tatar ubyr "witch," but Max Vasmer, an expert in this linguistic area, finds that phonetically doubtful.

An Eastern European creature popularized in English by late 19c. gothic novels, however there are scattered English accounts of night-walking, blood-gorged, plague-spreading undead corpses from as far back as 1196. Figurative sense of "person who preys on others" is from 1741. Applied 1774 by French biologist Buffon to a species of South American blood-sucking bat. Related: Vampiric.

MR. D'Anvers tells of a Conversation he had about a certain Prodigy, mention'd in the News Papers of March last, viz. that in the Village of Medreyga in Hungary, certain dead Bodies (call'd there Vampyres) had kill'd several Persons by sucking out all their Blood : That Arnold Paul, an Heyduke, having kill'd four Persons after he was dead, his Body was taken up 40 Days after, which bled at the Nose, Mouth and Ears : That, according to Custom, they drove a Stake thro' his Heart, at which he gave horrid Groan, and lost a great deal of Blood. And that all such as have been tormented or kill'd by Vampyres, become Vampyres when they are dead. [London Journal, May 20, 1732, quoted in Weekly Essays, May 1732]

The spread of the story about this time is perhaps traceable to a pamphlet published in 1732, the title page of which reads: Dissertationem De Hominibus Post Mortem Sanguisugis, Vulgo Sic Dictis Vampyren, Auctoritate Inclyti Philosophorum Ordinis, Publico Eruditorum Examini Die XXX. Aug. An. MDCCXXXII. Submittent M. Io. Christophorus Pohlius, Lignicens. Silesius Et Io. Gottlob Hertelius, Philos. Et Med. Stud. 

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goon (n.)

1921, in U.S. humorist Frederick J. Allen's piece "The Goon and His Style" (Harper's Monthly Magazine, December 1921), which defines it as "a person with a heavy touch," one who lacks "a playful mind;" perhaps a made-up word, or from gony "simpleton" (1580s), which was applied by sailors to the albatross and similar big, clumsy birds. Goons were contrasted with jiggers, and the columns about them had some currency in U.S. newspapers c. 1921-25.

A goon is a person with a heavy touch as distinguished from a jigger, who has a light touch. ... Most Germans are goons; most French jiggers. ["A 'Goon' and His Style," in Lincoln State Journal, Dec. 9, 1921]

The word turns up in various places early 20c.: As a mythical monster in a children's serialized story in the U.S. from 1904, as the name of a professional wrestler in North Carolina in 1935. The goons were characters in the "Thimble Theater" comic strip (starring Popeye) by U.S. cartoonist E.C. Segar (1894-1938); they appeared in Segar's strips from mid-1930s and, though they reportedly gave children nightmares, enjoyed a burst of popularity when they appeared in animated cartoons in 1938.

The most famous was Alice the Goon, slow-witted and muscular (but gentle-natured) character who began as the Sea Hag's assistant. Segar might have got the word directly from sailors' jargon.

Later 20c. senses of the word all probably stem from this: Sense of "hired thug" is first recorded 1938 (in reference to union "beef squads" used to cow strikers in the Pacific Northwest). She also was the inspiration for British comedian Spike Milligan's "The Goon Show." Also used among American and British POWs in World War II in reference to their German guards. What are now "juvenile delinquents" were in the 1940s sometimes called goonlets.

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apple (n.)

Old English æppel "apple; any kind of fruit; fruit in general," from Proto-Germanic *ap(a)laz (source also of Old Saxon, Old Frisian, Dutch appel, Old Norse eple, Old High German apful, German Apfel), from PIE *ab(e)l- "apple" (source also of Gaulish avallo "fruit;" Old Irish ubull, Lithuanian obuolys, Old Church Slavonic jabloko "apple"), but the exact relation and original sense of these is uncertain (compare melon).

In Middle English and as late as 17c., it was a generic term for all fruit other than berries but including nuts (such as Old English fingeræppla "dates," literally "finger-apples;" Middle English appel of paradis "banana," c. 1400). Hence its grafting onto the unnamed "fruit of the forbidden tree" in Genesis.

As far as the forbidden fruit is concerned, again, the Quran does not mention it explicitly, but according to traditional commentaries it was not an apple, as believed by Christians and Jews, but wheat. [Seyyed Hossein Nasr, "The Heart of Islam: Enduring Values for Humanity," 2002] 

 Cucumbers, in one Old English work, are eorþæppla, literally "earth-apples" (compare French pomme de terre "potato," literally "earth-apple;" see also melon). French pomme is from Latin pomum "apple; fruit" (see Pomona).

Apple of Discord (c. 1400) was thrown into the wedding of Thetis and Peleus by Eris (goddess of chaos and discord), who had not been invited, and inscribed kallisti "To the Prettiest One." Paris, elected to choose which goddess should have it, gave it to Aphrodite, offending Hera and Athene, with consequences of the Trojan War, etc.

Apple of one's eye (Old English), symbol of what is most cherished, was the pupil, supposed to be a globular solid body. Apple-polisher "one who curries favor" first attested 1928 in student slang. The image in the phrase upset the apple cart "spoil the undertaking" is attested from 1788. Road-apple "horse dropping" is from 1942.

A roted eppel amang þe holen, makeþ rotie þe yzounde. ["Ayenbite of Inwit," 1340] 
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c. 1600, as a term in classical history, from Latin Arianus, Ariana, from Greek Aria, Areia, names applied in classical times to the eastern part of ancient Persia and to its inhabitants. Ancient Persians used the name in reference to themselves (Old Persian ariya-), hence Iran. Ultimately from Sanskrit arya- "compatriot;" in later language "noble, of good family."

Also the name Sanskrit-speaking invaders of India gave themselves in the ancient texts. Thus it was the word early 19c. European philologists (Friedrich Schlegel, 1819, who linked it with German Ehre "honor") applied to the ancient people we now call Indo-Europeans, suspecting that this is what they called themselves. This use is attested in English from 1851. In German from 1845 it was specifically contrasted to Semitic (Lassen).

German philologist Max Müller (1823-1900) popularized Aryan in his writings on comparative linguistics, recommending it as the name (replacing Indo-European, Indo-Germanic, Caucasian, Japhetic) for the group of related, inflected languages connected with these peoples, mostly found in Europe but also including Sanskrit and Persian. The spelling Arian was used in this sense from 1839 (and is more philologically correct), but it caused confusion with Arian, the term in ecclesiastical history.

The terms for God, for house, for father, mother, son, daughter, for dog and cow, for heart and tears, for axe and tree, identical in all the Indo-European idioms, are like the watchwords of soldiers. We challenge the seeming stranger; and whether he answer with the lips of a Greek, a German, or an Indian, we recognize him as one of ourselves. [Müller, "History of Ancient Sanskrit Literature," 1859]

Aryan was gradually replaced in comparative linguistics c. 1900 by Indo-European, except when used to distinguish Indo-European languages of India from non-Indo-European ones. From the 1920s Aryan began to be used in Nazi ideology to mean "member of a Caucasian Gentile race of Nordic type." As an ethnic designation, however, it is properly limited to Indo-Iranians (most justly to the latter) and has fallen from general academic use since the Nazis adopted it.

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humor (n.)

mid-14c., "fluid or juice of an animal or plant," from Old North French humour "liquid, dampness; (medical) humor" (Old French humor, umor; Modern French humeur), from Latin umor "body fluid" (also humor, by false association with humus "earth"); related to umere "be wet, moist," and to uvescere "become wet" (see humid).

In old medicine, "any of the four body fluids" (blood, phlegm, choler, and melancholy or black bile).

The human body had four humors—blood, phlegm, yellow bile, and black bile—which, in turn, were associated with particular organs. Blood came from the heart, phlegm from the brain, yellow bile from the liver, and black bile from the spleen. Galen and Avicenna attributed certain elemental qualities to each humor. Blood was hot and moist, like air; phlegm was cold and moist, like water; yellow bile was hot and dry, like fire; and black bile was cold and dry, like earth. In effect, the human body was a microcosm of the larger world. [Robert S. Gottfried, "The Black Death," 1983]

 Their relative proportions were thought to determine physical condition and state of mind. This gave humor an extended sense of "mood, temporary state of mind" (recorded from 1520s); the sense of "amusing quality, funniness, jocular turn of mind" is first recorded 1680s, probably via sense of "whim, caprice" as determined by state of mind (1560s), which also produced the verb sense of "indulge (someone's) fancy or disposition." Modern French has them as doublets: humeur "disposition, mood, whim;" humour "humor." "The pronunciation of the initial h is only of recent date, and is sometimes omitted ..." [OED].

For aid in distinguishing the various devices that tend to be grouped under "humor," this guide, from Henry W. Fowler ["Modern English Usage," 1926] may be of use:

HUMOR: motive/aim: discovery; province: human nature; method/means: observation; audience: the sympathetic
WIT: motive/aim: throwing light; province: words & ideas; method/means: surprise; audience: the intelligent
SATIRE: motive/aim: amendment; province: morals & manners; method/means: accentuation; audience: the self-satisfied
SARCASM: motive/aim: inflicting pain; province: faults & foibles; method/means: inversion; audience: victim & bystander
INVECTIVE: motive/aim: discredit; province: misconduct; method/means: direct statement; audience: the public
IRONY: motive/aim: exclusiveness; province: statement of facts; method/means: mystification; audience: an inner circle
CYNICISM: motive/aim: self-justification; province: morals; method/means: exposure of nakedness; audience: the respectable
SARDONIC: motive/aim: self-relief; province: adversity; method/means: pessimism; audience: the self
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eighteenth letter of the English alphabet, traceable to Phoenician and always representing more or less the same sound, which in many languages is typically so resonant and continuous as to be nearly akin to the vowels, but in English is closer to -l-.

It was aspirated at the start of words (hr-) in Old English, as in Greek, but this was abandoned in English spelling and pronunciation by the end of the Old English period, but the rh- spelling survives in many words borrowed from Greek. In many languages and some dialects (e.g. Scottish) it is pronounced with a distinct trilling vibration of the tongue-tip, which gave it its ancient nickname of "the dog letter;" in other regional dialects (e.g. Boston) it is omitted unless followed by a vowel, while in others it is introduced artificially in pronunciation ("idear," "drawring").

If all our r's that are written are pronounced, the sound is more common than any other in English utterance (over seven per cent.); the instances of occurrence before a vowel, and so of universal pronunciation, are only half as frequent. There are localities where the normal vibration of the tip of the tongue is replaced by one of the uvula, making a guttural trill, which is still more entitled to the name of "dog's letter" than is the ordinary r; such are considerable parts of France and Germany; the sound appears to occur only sporadically in English pronunciation. [Century Dictionary] 

Louise Pound ("The Humorous 'R'") notes that in British humorous writing, -ar- "popularly indicates the sound of the vowel in father" and formations like larf (for laugh) "are to be read with the broad vowel but no uttered r."

The moment we encounter the added r's of purp or dorg in our reading we know that we have to do with humor, and so with school-marm. The added consonants are supposed to be spoken, if the words are uttered, but, as a matter of fact, they are less often uttered than seen. The words are, indeed, largely visual forms; the humor is chiefly for the eye. [Louise Pound, "The Humorous 'R,'" American Mercury, October 1924]

She also quotes Henry James on the characteristic prominence of the medial -r- sound (which tends to be dropped in England and New England) in the speech of the U.S. Midwest, "under some strange impulse received toward consonantal recovery of balance, making it present even in words from which it is absent, bringing it in everywhere as with the small vulgar effect of a sort of morose grinding of the back teeth."

 In a circle, meaning "registered (trademark)," attested by 1925. R&R "rest and relaxation," is attested by 1953, American English; R&B "rhythm and blues" (type of popular music) is attested by 1949, American English. Form three Rs, see Three Rs.

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