early 15c., trophe, "an overwhelming victory;" 1510s, "a spoil or prize of war," from Old French trophée (15c.) from Latin trophaeum "a sign of victory, monument," originally tropaeum, from Greek tropaion "monument of an enemy's defeat," noun use of neuter of adjective tropaios "of defeat, causing a rout," from trope "a rout," originally "a turning" (of the enemy); from PIE root *trep- "to turn."
In ancient Greece, spoils or arms taken in battle and set up on the field and dedicated to a god. Figurative extension to any token or memorial of victory is first recorded 1560s. As "a symbolic representation of a classical trophy" from 1630s.
Trophy wife "a second, attractive and generally younger, wife of a successful man who acquires her as a status symbol" was a trending phrase in media from 1988 ("Fortune" magazine did a cover story on it in 1989), but is older in isolated instances.
Variations on this theme ['convenience-wife'] include the HOSTESS-WIFE of a businessman who entertains extensively and seeks a higher-level, home-branch version of his secretary; the TROPHY-WIFE — the woman who was hard to get because of birth or wealth or beauty — to be kept on exhibition like a mammoth tusk or prime Picasso ... [Phyllis I. Rosenteur, excerpt from "The Single Women," published in Philadelphia Daily News, Dec. 12, 1961]
The excerpt distinguishes the trophy wife from the "showcase wife," "chosen for her pulchritude and constantly displayed in public places, dripping mink and dangling diamonds," which seems more to suit the later use of trophy wife.
early 15c., pictur, pictoure, pittour, pectur, "the process or art of drawing or painting," a sense now obsolete; also "a visual or graphic representation of a person, scene, object, etc.," from Latin pictura "painting," from pictus, past participle of pingere "to make pictures, to paint, to embroider," (see paint (v.)).
Picture window is from 1938. Picture post-card is recorded from 1899. Picture-book, "book illustrated with pictures or consisting mostly of pictures," especially one for children, is by 1847. Picture-frame "more or less ornamental border put around a picture to protect it" is from 1660s.
The phrase every picture tells a story is attested from 1900, in advertisements for an illustrated life of Christ. To be in (or out of) the picture in the figurative sense dates to 1900.
The expression a picture is worth a thousand words, attested from 1918, probably originated in the publication trade (the notion that a picture was worth 1,000 words is in printers' publications by 1911). The phrase was used in the form worth a million words by American newspaper editor Arthur Brisbane (1864-1936) in an editorial much-read c. 1916 titled "What is a Good Newspaper" in the "New York Evening Journal." In part it read: "After news and humor come good pictures. In this day of hurry we learn through the eye, and one picture may be worth a million words."
The phrase seems to have emerged into general use via the medium of advertising (which scaled down the number and also gave the expression its spurious origin story as "a Japanese proverb" or some such thing, by 1919). Earlier various acts or deeds (and in one case "the arrow") were said to be worth a thousand words.
c. 1300, devis, "intent, desire; an expressed intent or desire; a plan or design; a literary composition," from Old French devis "division, separation; disposition, wish, desire; coat of arms, emblem; a bequest in a will, act of bequeathing," from deviser "arrange, plan, contrive," literally "dispose in portions," from Vulgar Latin *divisare, frequentative of Latin dividere "to divide" (see divide (v.)).
The basic sense is "method by which something is divided," which arose in Old French and led to the range of modern meanings via the notion of "something invented or fitted to a particular use or purpose," hence "an invention; a constructed tool; inventiveness; a contriving, a plan or scheme."
In English from c. 1400 as "artistic design, work of art; ornament," hence especially "a representation of some object or scene, accompanied by a motto or legend, used as an expression of the bearer's aspirations or principles." Also from c. 1400 as "mechanical contrivance," such as a large crossbow fitted with a crank. From mid-15c. as "a bequest in a will." Since c. 1996 the word has come to be used especially for "hand-held or mobile computing or electronic instrument."
We live in a kind of world and in an age of the world where devices of all sorts are growing in complexity, where, therefore, the necessity for alertness and self-mastery in the control of device is ever more urgent. If we are democrats we know that especial perils beset us, both because of the confusion of our aims and because it is easier for the mob than for the individual to mistake appetite for reason, and advantage for right. [Hartley Burr Alexander, "'Liberty and Democracy,' and Other Essays in War-Time," 1918]