"cotton cloth with various textures of surface," 1863 (Godey's, in the November edition, where it is presented as a new material, "of French make, and resembling alpaca"), from French cretonne (1723), supposedly from Creton, village in Normandy where it originally was made.
festival in honor of Apollo on the 7th of Pyanepsion (fourth month of the Attic calendar, corresponding to October-November), from Greek Pyanepsia (plural), literally "the feast of cooking beans," from pyanos, variant of kyamos, name of a kind of bean, a word of unknown origin (perhaps foreign or Pre-Greek), + epsein "to boil, cook." At this festival a dish of pulse was offered to the god.
in optics, "point or object from which light radiates," 1714; see radiant (adj.). In astronomy, of meteor showers, "the point in the heavens from which the shooting stars seem to proceed," by 1834, in reference to the great shower of the previous November.
"ancient Celtic festival celebrated on the first of November," 1888, from Irish samhain (Gaelic samhuinn), from Old Irish samain, literally "summer's end," from Old Irish sam "summer" (see summer (n.1)) + fuin "end." It marked the start of winter and of the new year.
fem. proper name, a familiar form of Sarah. Sadie Hawkins Day (1939) is from name of a character in U.S. newspaper cartoon strip "Li'l Abner," by Al Capp (1909-1979); in reference to a day in early November on which women take the lead in romantic matters.
In one of [Cincinnati's] slum districts stands the Silver Moon, a "flop house" (i.e., a house where the occupants are "flopped" out of their hanging bunks by letting down the ropes) .... [McClure's magazine, November 1904]
mid-15c., "action of flowing," from flow (v.). Meaning "amount that flows" is from 1807. Sense of "any strong, progressive movement comparable to the flow of a river" is from 1640s. Flow chart attested from 1920 (flow-sheet in same sense from 1912). To go with the flow is by 1977, apparently originally in skiing jargon.
Go with the flow, enjoy the forces, let ankles, knees, hips and waist move subtly to soak up potential disturbances of acceleration and deceleration. [Ski magazine, November 1980]