sea nymph in the "Odyssey," literally "hidden, hider" (perhaps originally a death goddess) from Greek kalyptein "to cover, conceal," from PIE root *kel- (1) "to cover, conceal, save," which also is the source of English Hell. The type of West Indian song is so called from 1934, but the origin of the name is obscure.
disreputable, impoverished New York City neighborhood, the name attested from 1879. The phrase was used from at least 1866 as an intensive form of Hell.
Hell's kitchen (American), a horrible slum. Hell's Kitchen, Murderer's Row, and the Burnt Rag are names of localities which form collectively the worst place in New York. [Albert Barrère and Charles G. Leland, "A Dictionary of Slang, Jargon & Cant," 1889]
male proper name, from Welsh Llywelin, often explained as "lion-like," but probably from llyw "leader."
place in West Yorkshire, late 11c., from Old English halh "secluded spot, nook of land" (cognate with Old English holh "hole, cavity") + feax "rough grass," literally "hair" (from Proto-Germanic *fahsan). In popular expressions coupled with Hull and Hell at least since 1620s. "In the 16th cent. the name was wrongly interpreted as OE halig-feax, 'holy hair', and a story invented of a maiden killed by a lustful priest whose advances she refused." [Victor Watts, "English Place-Names"]
1787, from name of a family of 15c. Florentine painters and sculptors; used of wares made by Luca Della Robbia (1400-1482), or those like them.
masc. proper name, in the Bible, one of the 12 men sent by Moses to reconnoiter Canaan, from Hebrew Kalebh, literally "dog-like," from kelebh "dog."
trade name for prescription medication Zolpidem, which is used to treat insomnia, registered 1993 in U.S., no doubt suggested by ambient or words like it in French.
river in Ireland, the name is said to mean something like "old man river," from a Proto-Celtic word related to Irish sean "old" (from PIE root *sen- "old").
"woman considered stylish at the turn of the 20th century," 1894, named for U.S. artist and illustrator Charles Dana Gibson (1867-1944), whose main model was his wife, Irene Langhorne (1873-1956). The Gibson cocktail (gin, vermouth, and a pearl onion) is attested by 1914, in some stories ascribed to him but the origin of the term is unknown.
"She looks like a Gibson girl" is not an uncommon saying; and to look like a Gibson girl, is not without its merits. Although our artist has expressed in his drawings disapproval of women usurping the spheres of men, his girls suggest intellectuality. He has none of the doll-like inanely pretty faces which artists used to give women in olden days. His girls look as if they would have opinions of their own and would act with discrimination in the affairs of life. They are tall and graceful and although not in the least like fashion plates, their clothes are becoming and fit perfectly. [National Magazine, May 1898]