symbol of artistic or intellectual aloofness, by 1889, from French tour d'ivoire, used in 1837 by critic Charles-Augustin Sainte-Beuve (1804-1869) with reference to the poet Alfred de Vigny (1797-1863), whom he accused of excessive aloofness.
Et Vigny, plus secret, comme en sa tour d'ivoire, avant midi rentrait. [Sainte-Beuve, "Pensées d'Août, à M. Villemain," 1837]
Used earlier as a type of a wonder or a symbol of "the ideal." The literal image is perhaps from Song of Solomon [vii:4]:
Thy neck is as a tower of ivory; thine eyes like the fishpools in Heshbon, by the gate of Bathrabbim: thy nose is as the tower of Lebanon which looketh toward Damascus. [KJV]
name borne by two rulers of Tenochtitlan in ancient Mesoamerica, from Spanish Moctezuma, from Nahuatl (Aztecan) Moteuczoma, said to mean "he who frowns like a lord" or "he who is angry in a noble manner." Montezuma's revenge, "severe intestinal infection" sometimes suffered by non-natives in Mexico, is by 1962, in reference to Montezuma II (1466-1520), Aztec ruler at the time of the Spanish arrival and conquest of Mexico.
1824; said to have been given as a toast by Sir William Curtis (1752-1829), a beloved lord mayor of London in the 1820s, who seems to have been a figure of fun to whom many mangled phrases were attributed. Among the toasts he is alleged to have given at public dinners were "The Female Ladies of London;" "The three C's—Cox, King, and Curtis;" and "The three R's—Reading, Writing, and Rithmetic."
It has been very much the fashion amongst a class of persons to attribute to Sir W. C. ... a vulgarity and ignorance of speech which are by no means consistent with his character and conduct. The worthy and hospitable baronet has a rapid mode of speech, but it is always correct ; and although some eccentricities are mixed up in his composition, he is highly honourable, and has been a very useful member of society, particularly to his London constituents. [The Mirror, Jan. 29, 1825]
After listing some examples, the article continues:
It is, however, very certain, that at a city festival some years ago, having indulged very freely, he fell asleep, when some wag, choosing to consider him dead, wrote his epitaph, which was found next morning pinned to the baronet's dress coat:—
"Here lies the great Curtis,
Of London, Lord May'r:
He's left this here world,
And gone to that there."