[T]he good writer chooses his words for their 'meaning,' but that meaning is not a set, cut-off thing like the move of knight or pawn on a chess-board. It comes up with roots, with associations, with how and where the word is familiarly used, or where it has been used brilliantly or memorably.
You can hardly say 'incarnadine' without one or more of your auditors thinking of a particular line of verse. [Pound, "ABC of Reading," 1934]
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