After the hautboy came the clarinet. This instrument astonished every beholder, not so much, perhaps, on account of its sound, as its machinery. One that could manage the keys of a clarinet, forty five years ago, so as to play a tune, was one of the wonders of the age. Children of all ages would crowd around the performer, and wonder and admire when the keys were moved. [Nathaniel D. Gould, "Church Music in America," Boston, 1853]
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